Installation (Exhibition)

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Elliptical Communication: Alexandra Pirici’s Co-natural by Rachel Valinsky
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Citation, embodiment, movement, and holograms.

Summer Wheat by Tina Kukielski
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On the eve of two solo exhibitions, Wheat discusses her tapestry-like paintings, stained-glass works, and tulipieres.

Tethered Together: Liz Collins Interviewed by Svetlana Kitto
Liz Collins Explosion

Creating worlds and paying attention.

The Urban Imaginary: Never Built New York by Karla Kelsey
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Mapping an architectural dreamspace.

On the Clock with Amanda Ross-Ho by John Yau
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The gallery as studio.

Iman Issa by Andrew Weiner
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A New York- and Cairo-based artist unpacks her understanding of heritage and how it can operate in contemporary art.

Sarah Oppenheimer by Alexander Galloway
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Open floor plans are less open than we think—and ripe for intervention. Oppenheimer’s latest effort is on view at the Pérez Art Museum Miami.

Javier Téllez’s To Have Done with the Judgment of God by Silvia Benedetti
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Venezuelan-born artist Javier Téllez’s first exhibition at Koenig & Clinton took its title from his recent film To Have Done with the Judgment of God (2016) and concerns an experience that marked Antonin Artaud’s life in 1936: the author’s encounter with the Rarámuri community living in the Sierra Tarahumara in northwest Mexico.

MPA by Harry Dodge
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“Mourning the Earth.”

Portfolio by Nevine Mahmoud
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Basketballs, beachballs, slides.

Portfolio by Strauss Bourque-LaFrance
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“I started making this work because I was sick of seeing everything.”

Brennan Gerard & Ryan Kelly by Jenn Joy
KERNEL by Louis Doulas
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A collective of three artists on their installations, a fusion of technology, architecture, the Internet, and real-life materials.

Prem Krishnamurthy by Zachary Sachs
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Prem Krishnamurthy discusses Chinatown storefronts, the importance of friction, and “P” words.

Cheryl Donegan by Sam Korman
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Cheryl Donegan discusses video, sculpture-eating rats, and the myth that every choice we make is actually the right one.

Park McArthur by Jennifer Burris
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In her new exhibition Ramps, artist Park McArthur considers access as more than a public policy question—it’s a physical property.

Eli Keszler by Michael Barron
Eli Keszler

Eli Kezler on endless installations, raw composition, and the spatial limitations of large-scale art.

Abraham Cruzvillegas by Haegue Yang
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Before I met Abraham Cruzvillegas, more than once I’d heard curator Clara Kim mention in passing that he was a special person. This piqued my curiosity.

Martin Kippenberger: Sehr Gut | Very Good by Karen Rester
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Karen Rester reviews the first museum exhibition of Martin “Kippy” Kippenberger’s work in Berlin, considering his playful legacy in this new context.

Haim Steinbach by Peter Schwenger
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“We are conditioned, we have invented tools for ourselves to function in a more immediate and direct way without having to think about it too much—we sometimes forget to stop and ask ourselves: What are we looking at?”

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