Installation Art

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Intimate Variations: Other Romances at Rachel Uffner Gallery by Katherine Brewer Ball
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Extending the possibilities of relation.

William Pope.L Navigates the Flint Waterways by Jennifer Junkermeier
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Not fit for human consumption.

Iman Issa by Andrew Weiner
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A New York- and Cairo-based artist unpacks her understanding of heritage and how it can operate in contemporary art.

Cynthia Daignault’s There is nothing I could say that I haven’t thought before by Ted Dodson
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The ethics of curating as an ethics of care

The Arcades: Contemporary Art & Walter Benjamin by Claire Barliant
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Benjamin as hollow window dressing

Portfolio by Laura Morrison
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Laura Morrison is an artist from London based in New York.

Postcommodity by Rob Goyanes
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“Moving bodies generate this system. They create, supposedly, some justification to play this market out.”

Portfolio by Dan Herschlein
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The body as a sentence to be scrambled

Aki Sasamoto’s Delicate Cycle by David Everitt Howe
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With charmingly deadpan humor, Aki Sasamoto’s performances and installations tease out just how small human existence is; despite our more evolved intellect, advanced motor skills, and ability to read and appreciate Proust, we’re all basically rats at heart, just with the added bonus of self-reflection and a love for rosé.

Mel Chin by Saul Ostrow
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Wry installations and revelatory sculptures blend art-making and activism in Chin’s unique practice of transformation.

Laura Owens by Claudia La Rocco
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Everywhere you look in the first room, there are little directives, tucked into the art, to text various numbers for answers. I did as bidden, but because I was listening to Fiona Apple’s “I Know” on repeat too loudly over my headphones, I couldn’t hear the answers, which emanated God-like from the walls, and so I only have this one-sided record for you, dear reader.

Michele Oka Doner by Bruce Weber
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“Art, for me, comes out of life. It is the peak of life.”

Rafa Esparza by Clara López Menéndez
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What a brick can do.

Jason Simon by Claire Pentecost
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“Liberty’s show manages to be about prison and not about prison at the same time: her audience writes about how the music lets them forget they’re incarcerated for a moment, and she calls that effect ‘time travel.’”

Rebecca Smith by John Newman
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When I walked through the doors of the Hionas Gallery to see Rebecca Smith’s exhibition, there was one white wall piece that seemed to hover in front of a white wall. It was nothing if not quietly but palpably breathtaking. It made the room feel complete; it beckoned me closer… and thrillingly, there was nothing to say!

Javier Téllez’s To Have Done with the Judgment of God by Silvia Benedetti
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Venezuelan-born artist Javier Téllez’s first exhibition at Koenig & Clinton took its title from his recent film To Have Done with the Judgment of God (2016) and concerns an experience that marked Antonin Artaud’s life in 1936: the author’s encounter with the Rarámuri community living in the Sierra Tarahumara in northwest Mexico.

Portfolio by Baseera Khan
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“One actively is olived, one actively becomes a desired color, desired manufactured ethnicity.”

Joana Hadjithomas & Khalil Joreige by Jessica Hong
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“A good part of our work is about giving materiality to things that aren’t visible.”

Ethan Greenbaum by Andrianna Campbell
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“It’s nice when you can make connections in hindsight. Your life feels like chaos and then you realize that there are patterns.”

Pauline Boudry / Renate Lorenz by Risa Puleo
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“We insist on repeating moments of liberation, as a kind of sustainable practice.”

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