Installation Art

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Word-Weapons: Cecilia Vicuña: Seehearing the Enlightened Failure Reviewed by Juan José Santos
An installation featuring thick red ropes dangling from the ceiling titled, Quipu menstrual (la sangre de los glaciares), Cecilia Vicuna

An important retrospective collects nearly one hundred artworks.

Word-Weapons: Cecilia Vicuña: Seehearing the Enlightened Failure Reviewed by Juan José Santos
An installation featuring thick red ropes dangling from the ceiling titled, Quipu menstrual (la sangre de los glaciares), Cecilia Vicuna

An important retrospective collects nearly one hundred artworks.

From Natural to Synthetic: Giulia Cenci Interviewed by Caroline Elbaor
A set of amorphous organic sculptures strung across metal wires in a forest titled, field, by Giulia Cenci

Installation and sculpture that investigate the Anthropocene.

Algorithms, Antibodies, and Automatons: Lynn Hershman Leeson Interviewed by G. Roger Denson
A series of large, aligned screens shows the face of the artist Lynn Hershman Leeson titled, Electronic Diaries, by Lynn Hershman Leeson

Working on the cutting-edge of science and technology.

Holding the Gaze: Ebony G. Patterson Interviewed by Lori DeGolyer
A large installation featuring flowers, wallpaper, and video of an African American man titled, while the dew is still on the roses, by Ebony G. Patterson

Using the visual seduction of installation and video to address systemic violence.

Art into the World: Marion Wilson Interviewed by Louis Bury
Small and large glass bottles on a wood table for The Landscape Is Sanctuary to Our Fears, an installation by artist, Marion Wilson

A social-practice artist talks about working with painting and photography.

The Politics of Sight: Sadie Barnette Interviewed by Emily Zimmerman
Glittering metallic vinyl couch against a patterned wall with a framed photo for Room to Live, an installation by Sadie Barnette

An artist working with FBI surveillance materials.

Digesting Place: Dean Erdmann Interviewed by Amanda Parmer
Dean Erdmann1

An artist explores the evolution of older technologies into the present.

Artists As Mapmakers: Lena Henke Interviewed by Owen Duffy
Lena Henke1

Sculpture that connects architecture and the body.

Local Geographies: Jessica Vaughn Interviewed by Charlotte Ickes
Jessica Vaughn1

Installations that highlight cubicles and institutions.

Looking Back: BOMB on the Past Decade in Art
Kanishka Raja Final

With contributions from Naeem Mohaiemen, Martha Rosler, Devin Kenny, Swoon, and more.

Korakrit Arunanondchai by Martha Kirszenbaum
Korakrit Arunanondchai No History 5 BOMB Magazine

As he prepares his musical—part video, part performance—for Performa 19, the Thai-born artist shares thoughts on Ghost Cinema, the ritual circle, storytelling, and empathy.

American Artist by Simone Leigh
Kc 030219 B 0011 Crop

Leigh visited the conceptual artist’s New York studio, where they exchanged ideas about public engagement, generating community, and practicing acts of resistance in the art world.

Labor and Nature: Deborah Anzinger Interviewed by Jareh Das
Deborah Anzinger1

An art of the body and the environment.

Illusion in Time: Matt Copson Interviewed by Elizaveta Shneyderman
Matt Copson1

Sculptural animations made with lasers.

Spiritual Praxis: Tattfoo Tan Interviewed by Louis Bury
Tattfoo Tan 1

The art of learning new skills.

Be Useful: Rirkrit Tiravanija Interviewed by Jessica Lanay
Rirkrit Tiravanija1

Making and not making art.

Bill Jenkins by Joe Fyfe
Lgitlen Jenkins May14 05

Constructed from humble materials, the artist’s improvisational interventions are meditations on space and light.

The spirit and the damage done: On Bruce Nauman’s 100 Live and Die by Paul Chan
Pau Chan1

The art of dehumanization.

The Complications of Being Human: Savannah Knoop Interviewed by Clifford Owens
Savannah Knoop1

Community in a bathhouse.

Halfway Between Real and Unreal: Claudia Hart Interviewed by Sean Capone
Claudia Hart1

The art of animation and automatons.

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