Installation Art

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The spirit and the damage done: On Bruce Nauman’s 100 Live and Die by Paul Chan
Pau Chan1

The art of dehumanization.

The Complications of Being Human: Savannah Knoop Interviewed by Clifford Owens
Savannah Knoop1

Community in a bathhouse.

Halfway Between Real and Unreal: Claudia Hart Interviewed by Sean Capone
Claudia Hart1

The art of animation and automatons.

Sculpting the Uncanny: Julianne Swartz Interviewed by Mathilde Walker-Billaud
Swartz1

The artist on voice, intimacy, and the physicality of sound.

Looking Back: BOMB Contributors on Art in 2018
Samantha Wall

Featuring selections by Matthew Jeffrey Abrams, Emmanuel Iduma, Kaitlyn A. Kramer, Ashley Stull Meyers, and more.

Ree Morton: The Plant That Heals May Also Poison by Olivia Gauthier
Ree Morton1

Rediscovering a “maverick” female artist from the ’70s

Marcos Castro and Baris Gokturk by Sabine Russ
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Fashioning ersatz artifacts and museological displays, two artists dispense with individual authorship to inhabit the “speculative nature of history” with an eye on the future.

Studio Visit: Sydney Shen by Danni Shen
Sydney Shen1

An artist’s index of the strange.

Threshold Spaces: Saul Melman Interviewed by A.M. Homes
Saul Melman1

Life and sculpture as passage. 

Unstable Solids: Diana Al-Hadid’s Delirious Matter by Rebecca Rose Cuomo
Diana Al Hadid1

Dialectics of mass and void.

Celebration and Critique: Diamond Stingily Interviewed by Lori DeGolyer
Diamond Stingily1

Sculpture and installation that make memory present. 

Animation and Abstraction: Jennifer Steinkamp Interviewed by Sean Capone
Jennifer Steinkamp1

Connecting real space and virtual images.

Florian Meisenberg by Peter Rostovsky
Screenshot 2018 09 11 10 46 07

While taking a road trip across the US, the German artist reveals how digital technology, humor, and the human body inform his paintings and installations.

Privacy and Visibility: Heather Dewey-Hagborg Interviewed by Amelia Rina
Dewey Hagborg1

Building a possible portrait of Chelsea Manning from DNA.

Sending Out the Signal: Swoon Interviewed by Katie Peyton
Swoon1

“I take myself, my drawings, and this little bundle of creative forces that is me, and I try to make a chemical reaction with the world.”—Swoon

The Collective Body: Maria José Arjona Interviewed by Cecilia Fajardo-Hill
Arjona1

Performance as a poetry of long duration.

A Series of Substitutions: On Darren Bader by Allison Grimaldi-Donahue
Bader Image

A unique art catalogue mixes text with text.

Regeneration of the Real: Jane Benson Interviewed by Danni Shen
Benson1 Final

Challenging the nature of things.

There Is Life and Death in the Power of the Tongue: Vanessa German Interviewed by Jessica Lanay
German1

“I gave myself this education on my own eye and on my own instincts. I was trying to find a place of resonance.”

Laser Work: Rita McBride Interviewed by John Reed
Mc Bridge1

Art in the dark. 

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