Building a possible portrait of Chelsea Manning from DNA.
“I take myself, my drawings, and this little bundle of creative forces that is me, and I try to make a chemical reaction with the world.”—Swoon
Performance as a poetry of long duration.
A unique art catalogue mixes text with text.
Challenging the nature of things.
“I gave myself this education on my own eye and on my own instincts. I was trying to find a place of resonance.”
The artist talks about dismantling street advertisements and their infrastructure.
Contending with Robin Evans and the limits of architectural drawing.
The oil barrels Ourahmane shipped from Algeria to the UK became the first artwork legally exported from her home country since 1962. Her practice engages escape and displacement narratives.
The artist talks about how language documents stability and change across cultures.
Remembering Mike Kelley.
Prophecy and the past.
The effects of incarceration.
Anointing her canvases with minerals, plants, smoke, and even animal urine, Dodd casts her installations as sites of ritual.
Shifting between a Marie Antoinette wig, a fake mustache, and a bald cap, the sculptor and filmmaker plays all three corners of a love triangle in After the fire is gone.
Private spaces in public places.
Films as fast as an eye blink.
An exhibition exploring forms of repetition and difference.