The computer screen conjures pictorial space, but its apparent depth is paradoxical.
Open floor plans are less open than we think—and ripe for intervention. Oppenheimer’s latest effort is on view at the Pérez Art Museum Miami.
Faking It: Manipulated Photography before Photoshop is a catalogue for the exhibition Mia Fineman curated on early photographers’ efforts to revise their original photographs.
Julian Hoeber on film, intertextuality, and his latest piece, Demon Hill, a disorienting optical illusion come to life.
I enter Katharina Grosse’s latest installation at MASS MoCA and I am awed by the sheer dimension of the piece and by the intensity of the encounter.
Robert Stivers’s photographs are eerie reveries, dreams in which the face or figure of a person you’ve desired or loved or hated or have been terrorized by hovers uncomfortably above your body in the darkness.