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Sarah Oppenheimer by Alexander Galloway
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Open floor plans are less open than we think—and ripe for intervention. Oppenheimer’s latest effort is on view at the Pérez Art Museum Miami.

Mia Fineman’s Faking It: Manipulated Photography before Photoshop by Tim Davis
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Faking It: Manipulated Photography before Photoshop is a catalogue for the exhibition Mia Fineman curated on early photographers’ efforts to revise their original photographs.

Julian Hoeber by Jenn Joy
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Julian Hoeber on film, intertextuality, and his latest piece, Demon Hill, a disorienting optical illusion come to life.

Katharina Grosse by Ati Maier
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I enter Katharina Grosse’s latest installation at MASS MoCA and I am awed by the sheer dimension of the piece and by the intensity of the encounter.

Robert Stivers by Marvin Heiferman
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Robert Stivers’s photographs are eerie reveries, dreams in which the face or figure of a person you’ve desired or loved or hated or have been terrorized by hovers uncomfortably above your body in the darkness. 

Ross Bleckner by Aimee Rankin
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Artist and writer Aimee Rankin examines the confrontation with mortality that resides in Ross Bleckner’s work and the connection between paintings and trophies.

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