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Harmony Holiday by Farid Matuk
Miles Davis Trumpets

“I don’t want the kind of career where everything is sensible and safe; I’d rather suffer through the anxiety of wondering where I’m going next than suffer the boredom of dancing in the same safe square.”

Portfolio by David Berezin

Hollywood, its shopworn (and ridiculous) gender constructs, and canned sentimentality are the prime targets of David Berezin’s work in photography and video.

Albert Serra by Steve Macfarlane
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Casanova, Dracula, and art in the age of digital filmmaking.

Will Oldham by Gary Canino
Will Oldham

Performance, reinvention, and alternate realities.

Damaged Goods: Shock Value by ​Craig Hubert
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Craig Hubert sits down with Jason Zinoman to discuss horror films’ capacity to enthrall, terrify, and addict audiences.

Melodrama Queens by Natasha Stagg
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What do Hannah Montana and Dorothea Brook have in common? Natasha Stagg shares her insights into contemporary tween culture through the lens of MoMA’s recent exhibition Drama Queens.

John Waters’s Cecil B. Demented by Rachel Kushner
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Motherhood and Sexuality by Bette Gordon & Catherine Texier
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The recent works of Bette Gordon and Catherine Texier both draw from similar themes, primarily women as heroines and the sexuality of mothers.

Martha Plimpton by Frank Pugliese
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Playwright and screenwriter Frank Pugliese and actress Martha Plimpton get real about what it means to make work, get work and keep on living in New York, L.A. and the theater world.

Gus Van Sant by Gary Indiana
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Gary Indiana talks to venerated filmmaker and writer Gus Van Sant, director of films such as My Own Private Idaho and Drugstore Cowboy, before the release of Even Cowgirls Get the Blues.

Kathy Bates by Michael O'Keefe
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“I feel that I have made a career at doing what I’ve been told.”

Stockard Channing by Craig Gholson
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The Emmy and Tony Award winner on her turbulent career, the artifice of theater, and creating whole characters.

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