Two novels about grief, translation, and the revelatory traces of language.

At the heart of Olivier’s sculptural inquiry is the fate of our existing and future monuments. How can they teach, and change us?

Photographing hidden and alternative histories.

When spectral voices, across time and place, meet in poetry.

The painter and the historian find common ground by unearthing narrative histories that have been overlooked and nearly forgotten.

In Evans’s first interview before the release of her new and unintentionally prescient collection, The Office of Historical Corrections, she discusses humor, power, and replicas of the Titanic.

The anonymous industrial music duo on engaging the ideological minefield of US-Taiwan-China relations.

The artist embraces revision, contradiction, and fallibility in a culture that prizes singular genius.

From epics to lyrics, Rowan Ricardo Phillips considers poetry’s reckoning with history and how writing will reflect our current crisis for future generations.

The writer on using Chaucer’s Middle English to channel transgressive figures, rethink gender, and experience the pleasures of language.

The Man Booker finalist on telling a story from the perspective of a spirit and writing to expose historical truths.

On Sylvia Townsend Warner’s The Corner That Held Them, a witty and subversive novel about life in a fourteenth century convent.

The poet on her reimagined version of Vyasa’s Mahabharata and the human cost of war.

The unraveling and retelling of history.

The poet on her new collection and how a person lost to history can survive in the imaginary possibilities of art.

Out, like fireflies, from the inter-dimensional, / silver disks at edge of picture hover over Hillary / with swaddled child, John Podesta counterpose beside her, / in a painting I’d like to paint, had I been a painter, / trading in detail from the too-smooth desert

All monuments commemorate the same / falsehood The gilt is genuine and we feel it right / at the surface of our discontent / Anger like so many lustrous mounts softens / in the rain  And stallions and generals must periodically be / re-gilded      recommitted to    as if / as an abiding law of man / Though    if we are honest    it is the law that fails us / along with what we can abide 

The citizen investigator as poet.

The novelist on the enduring AIDS crisis, the resonance of the Lost Generation, and writing her way around questions.