The artist talks about the genesis, composition, and execution of a recently completed work.
Kristen Radtke is the managing editor of Sarabande Books and the film and video editor of TriQuarterly magazine. She lives in New York. Imagine Wanting Only This is her debut book, out in mid-April from Pantheon.
The woman is in Iowa now, I hear. She moved there with her husband shortly after, and now she sees.
Kenya (Robinson) reflects on the end of her MFA program and becoming a professional artist.
The doctor wears his pink shirt with the sleeves rolled up.
“The reason I am writing fiction is so that I can tell the truth from a vantage point that allows me some space.”
“You can renovate your soul and change your behavior and lie to yourself, but maybe the face is the last frontier of truth. There’s only so much that plastic surgery can do for you.”
Ever wonder what stuff the BOMB staff likes? Check out the new Stuff We Like column and then get watching, reading, and listening.
Ralph Lemon’s How Can You Stay in the House All Day and Not Go Anywhere is as uncontainable as it is elusive. How can a dance that pretty much denies its existence as dance, a “no dance” of “no style,” be written about?
Loss of any kind can feel, to the bereaved, as much an “act of God” as large-scale catastrophe.
Poet and essayist Kristin Prevallet talks to artists caraballo-farman about their series The Heirloom Plates, part of the exhibition Iran Inside Out at the Chelsea Art Museum through September 4th.
This First Proof contains four poems titled “An Intersection of Leaves not Likeness” and “An Intersection of Leaves not Loss.”
Ay, the smell was swept up, stirred, and scrambled into the air when your father slammed the door; I had barely noticed it until he appeared in the doorway and raised his hand over his nose, covering his mouth.
Right around the time the war on terror began, I thought, Does Donna really need so many friggin’ flags?
In the second installment in BOMB’s Fiction for Driving Across America series, Patrick Dacey reads his short story “Patriots,” published in BOMB 104’s literary supplement, First Proof.
The narrator is Charlie Weir, a New York psychiatrist. The year is 1979.
This First Proof contains the poems “Restoration of the Delphic Sibyl,” “Limbo for the Miscarry,” and “Beatitude 2” by 2006 Poetry Prize winner Amanda Auchter.
This First Proof contains the story “Love (ii).”
My mother died in the middle of the night. In my mind’s eye, I see it like the lights turning off in an old factory, shutting down one circuit bank at a time, an electric hum the only thing remaining.