Graphic Design

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John Wiese by C. Spencer Yeh
John Wiese Bomb 5

“If I were to ‘play something,’ I don’t think I’d ever feel satisfied. What I really want is to take that thing and transform it, process it into something else.”

Helen DeWitt by Mieke Chew
Helen DeWitt 01

“If you don’t like a language, you can go write your own.”

Peter Mendelsund by Christopher King
Mendelsund 1

Wrapping words up in images.

Georgia by Nicholas Earhart
El4Cuyz5Smkwaorgy6Rv

Multitasking, not over-thinking, and music-making as a daily practice.

Le Derrière Cri by Tom Griffiths
​Beni Bischof

Le Derrière Cri is not a real fashion magazine. It’s presented in the same format, but takes a critical editorial position and poses the question: What constitutes the “real” in a fashion magazine to begin with?

Robert Beatty by Matthew Erickson
Murata Upd Still 300Dpi Native 6

Musician Robert Beatty discusses his visual art, collaborative with filmmaker Takeshi Murata, and projects Hair Police and Three Legged Race.

Futurefarmers by David van der Leer
Twoboxeshireslayers Body

If your knowledge of the San Francisco collective Futurefarmers ends at the Twitter logo (which they designed in 2007), you’re in for a surprise. This multifaceted design team runs the gamut, both in terms of production and strategies of audience engagement. 

Allen Ruppersberg by Cheryl Donegan
Singing Posters

The peripatetic conceptualist (Where’s Al?) talks with artist Cheryl Donegan about Ginsberg’s Howl, the reanimated past, and the overlooked poetry of authorless signage.

Arturo Herrera by Josiah McElheny​
Herrera 01 Body

Herrera’s use of profane materials—familiar, commonplace images—“contaminate” the carefully circumscribed world of the abstract.

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