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Looking Back on 2017: Art
Looking Back 2017 Art

Featuring selections by Corina Copp, Max Galyon, Patricia Spears Jones, S.D. Chrostowska, Karl Holmqvist, Phillip Lopate, Mary Simpson, and more.

Intimate Variations: Other Romances at Rachel Uffner Gallery by Katherine Brewer Ball
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Extending the possibilities of relation.

On the Clock with Amanda Ross-Ho by John Yau
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The gallery as studio.

Fall Arts Preview
Bernadette Mayer Memory 01

Upcoming shows, retrospectives, and museum openings highlighted by Maika Pollack, Ratik Asokan, Alex Zafiris, Gideon Jacobs, Michael Barron, Wendy Vogel, Zack Hatfield, and Legacy Russell

Ron Athey by Zackary Drucker
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From the Pentecostal churches of his youth to ’80s underground Goth punk and queer clubs to museums around the world, an iconic performance artist tells his story.

Looking Back on 2016: Art & Film
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Selections by Lucas Blalock, Carmen Boullosa, Liz Collins, Ricky D’Ambrose, Andrew Durbin, Scott Esposito, Jen George, Brent Green, Carlos A. Gutiérrez, Karl Holmqvist, Roberto Juarez, Baseera Khan, Jaime Manrique, Isaac Pool, Marina Rosenfeld, Frederic Tuten, Wendy Vogel, and Alex Zafiris.

Rafa Esparza by Clara López Menéndez
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What a brick can do.

Institutional Collusion: Merlin Carpenter and Cologne’s “Non-Productive Attitude” by David Everitt Howe

It’s very tricky, if not kind of futile, to criticize the work of Merlin Carpenter; he does it for you before you’ve even had the chance, calling his art “crap political work.”

Michele D’Aurizio by Sam Korman
Andrea Romano

Opening—and closing—a gallery.

hotelart.us by Sophie Buonomo
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Hotelart.us on guerrilla-style curating, online galleries and why we really go to art openings.

Patti Astor by Richard J. Goldstein

Patti Astor talks about her new book and her role in the New York art scene of the 1980s.

It’s a Peach by Emilie Selden
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Holding a Peach, Storm Tharp’s exhibition of new paintings and sculptures, is a study in intimacy.

Phoenix Rising: ABC No Rio by Fred Paginton
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ABC No Rio as we knew it is no more—but its legacy lives on. Here Fred Paginton sits down with the legendary institution’s Steven Englander to reflect on the role of the activist art space and its next steps.

When We Eat The Way We Do It: Jen Rosenblit’s Last Supper at Bodega by Lauren Bakst
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Take a road trip to Philly’s Bodega gallery with a podcast of a performative lecture by—and interview with—choreographer Jen Rosenblit.

BOMB GLOBAL: Appendix Project Space by Mack McFarland
Appendix Project Space

Appendix Project Space embraces change, progress, and unpredictability, breaking the traditional archetypes of the white-wall gallery space.

Post Impressions: The Mountain by Mary Jones
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“For me, there’s something absolutely affirming and necessary in exploring the negative …” Mary Jones speaks to artist Marc Handelman about multiculturalism, marble, and mountains in the latest Post Impressions.

Bodega by Rachel Reese
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BOMBlog’s Rachel Reese talks with some of the founders and co-directors of Philadelphia’s Bodega, an artist-run exhibition and performance space in operation since 2010. Together they discuss the Philadelphia art community and Bodega’s role, as well as Bodega’s most recent exhibition Wax Apple.

Salomon Contemporary: 112 Greene Street by Saul Ostrow
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Salomon Contemporary’s 112 Greene Street: A Nexus of Ideas in the Early 70s revives the spirit of the post-Minimalism SoHo hub by exhibiting the broad range of ideas birthed there.

The Bandaged Lady by Dodie Bellamy
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Dodie Bellamy on hate crimes, Tariq Alvi’s artwork, and life behind the glass. Or, the origins of lynching through the eyes of a post-op handkerchief.

Klaus Kertess’s Seen, Written by Max Blagg
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Seen, Written is filled with fluid and poetic dissertations on a wide range of artists and their work, standouts among them the essays on Carroll Dunham, Brice Marden, and Louisiana shaman Keith Sonnier.

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