French New Wave
“We never thought, ‘We have to give them dignity.’ We thought we have to give them empathy.”
The “grandmother of the French New Wave” discusses her ever-evolving artistic practice.
The editor-in-chief of Cahiers du Cinéma on Spielberg, politics, and the vitality of cinema.
Jacques Rivette’s Le Pont du Nord and Bob Byington’s Somebody Up There Likes Me are abstract in different ways, but for the same reason: lack of funds.
Tsai Ming-Liang’s film What Time Is It There? uncovers ghosts in Taipei and Paris and pays its respects to French filmmakers Truffaut and Léaud.