French New Wave
A final, reflexive work from the godmother of the French New Wave.
A final, reflexive work from the godmother of the French New Wave.
Jean-Luc Godard’s editor sits down to discuss their latest collaboration, The Image Book.
“We never thought, ‘We have to give them dignity.’ We thought we have to give them empathy.”
The “grandmother of the French New Wave” discusses her ever-evolving artistic practice.
The editor-in-chief of Cahiers du Cinéma on Spielberg, politics, and the vitality of cinema.
Jacques Rivette’s Le Pont du Nord and Bob Byington’s Somebody Up There Likes Me are abstract in different ways, but for the same reason: lack of funds.
In this week’s Damaged Goods, Craig Hubert explores directors Eric Rohmer and Jean Eustache, two archetypal members of the French New Wave.
Tsai Ming-Liang’s film What Time Is It There? uncovers ghosts in Taipei and Paris and pays its respects to French filmmakers Truffaut and Léaud.