Träd, Gräs och Stenar and the democratizing power of the riff.
“It’s not a very academic approach, it’s just a part of what I like to do.”
“I’m the kind of guy that’s trying to get people to work together and make the Earth green.”
“As to the church organ itself, it seemed almost like a sample machine, like it could tap into sounds from different eras.”
“I do like feedback. It’s good for people. It is!”
The Glasgow-based singer just released a self-titled album of music rooted in and pushing Scottish folk traditions. With Krute, he touches on individuation, syncretism, and the risks of nationalism.
Into the mystic with the Chicago-based guitarist and songwriter.
Duo improvisation for loop pedal, upright bass, and child.
A return to live performance after a decade-long absence.
Composer Paola Prestini is the creative director of the soon-to-open Original Music Workshop. With vocalist Helga Davis, she elaborates on her Italian and Mexican background and her collaborations with artists of other disciplines.
On being nothing, looking outward, and the obstinant relevance of that popular art form, song.
Rock ’n’ roll and the malleability of historical fact.