Folk Music

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Trees, Grass, & Collectivist Rock by Clinton Krute
Träd, Gräs och Stenar 01

Träd, Gräs och Stenar and the democratizing power of the riff.

Josephine Foster by Gary Canino
Foster Cover

“It’s not a very academic approach, it’s just a part of what I like to do.”

Willie Thrasher by Gary Canino
Willie Thrasher 3

“I’m the kind of guy that’s trying to get people to work together and make the Earth green.”

Áine O’Dwyer by Keith Connolly
Aine Odwyer Bomb 1

“As to the church organ itself, it seemed almost like a sample machine, like it could tap into sounds from different eras.”

Flying Saucer Attack by ​David Keenan
Flying Saucer Attack 1

“I do like feedback. It’s good for people. It is!”

Alasdair Roberts by Clinton Krute
Alasdair Roberts 01 Bomb 132

The Glasgow-based singer just released a self-titled album of music rooted in and pushing Scottish folk traditions. With Krute, he touches on individuation, syncretism, and the risks of nationalism.

Little Wings by Tobias Carroll
Little Wings 01

“Lil Wayne explains a blade of grass.”

Circuit des Yeux & Bitchin Bajas
CCHF 1

Barbecues, Night Train, and La Monte Young.

Joshua Abrams & Nathan Bowles by Clinton Krute
Abrams Bowles 1

Memory, texture, and tradition.

Simon Joyner by Tobias Carroll
Simon Joyner 01

Omaha, autobiography, and songcraft.

Ryley Walker by Andrew Cedermark
Ryley Walker 1

Into the mystic with the Chicago-based guitarist and songwriter.

The Home of Easy Credit by Whitney Curry Wimbish
The Home of Easy Credit

Duo improvisation for loop pedal, upright bass, and child.

Weyes Blood by Tobias Carroll
Some Winters Natalie Mering

Landscapes, lo-fi, and the uncanny.

Peter Jefferies by Tobias Carroll
Peter Jefferies 01

A return to live performance after a decade-long absence.

Maher Shalal Hash Baz by Keith Connolly
Maher Shalal Has Baz 01

Nostalgia, rhythm, and synchronicity.

Paola Prestini by Helga Davis
Paola Prestini 01

Composer Paola Prestini is the creative director of the soon-to-open Original Music Workshop. With vocalist Helga Davis, she elaborates on her Italian and Mexican background and her collaborations with artists of other disciplines.

Richard Dawson by Cian Nugent
Richard Dawson

On being nothing, looking outward, and the obstinant relevance of that popular art form, song.

Greil Marcus by Matthew Choate
Still From Guitar Drag

Rock ’n’ roll and the malleability of historical fact.

Xylouris White by Jem Cohen
Xylouris White

Goats, Cretan music, and the night of the snails.

Mary Lattimore & Jeff Zeigler by Daniel Bachman
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Snowbound recording with harp and melodica and the fine art of titling songs.

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