Film Festival

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Watching Caribbean Cinema by Monica Uszerowicz

Islands of stories.

Watching Caribbean Cinema by Monica Uszerowicz

Islands of stories.

Movies and Their Making: New York Film Festival’s Kent Jones by Peter Gizzi
Jones Gizzi

“We choose the films that mean the most to us and offer them and let people react to them and form their own impressions and judgments.”

Foreign Exchange by Elina Alter
Fire At Sea Bomb 1

European Cinema at the 54th New York Film Festival

Looking Back on 2014 #6
Vision Pink

Selections by Mónica de la Torre, Matias Piñeiro, Hannah Holden, Sabine Russ, and Lisa Robertson.

Paper Clip #20 by Tyler Curtis

Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.

Mark Cousins by Pamela Cohn
 What Is This Film Called Love

Director and critic Mark Cousins on conveying the experience of traveling in his film What Is This Film Called… Love? and about the potentials and limitations of film festivals.

Amy Seimetz and Craig Zobel by Miriam Bale
Sds Pic Gasp 300Dpi Body

In the first of a series of conversations with La Di Da Film Festival filmmakers, Amy Seimetz and Craig Zobel discuss gender dynamics in their features, Sun Don’t Shine and Compliance.

Sara Garcia Villanueva by Pamela Cohn
Marian Crişan’s Morgen by Ella Veres
Crisan Marian 01 Bomb

Ella Veres sat down with filmmaker Marian Crişan to discuss his film Morgen.

Night’s Light: Peter Von Bagh by Colin Beckett
Queue  Mikula L C3 Bcllwitz  2009 Body

Director Peter Von Bagh on his film Sodankylä Forever, a documentary portrait of the Midnight Sun Film Festival, in remote Finland, an annual pilgrimage for cinephiles.

James Benning at Views From the Avant Garde by Colin Beckett
Twenty Cigarettes Body

James Benning’s Twenty Cigarettes blows smoke in the face of typical filmic portraiture. Colin Beckett explores the many dimensions of the film and its slippery subjects.

Rivers’s Edge: Ben Rivers at Views from the Avant-Garde by Colin Beckett
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Colin Beckett looks at the forthcoming series Views from the Avant-Garde, focusing on the deserved loyalty towards Ben Rivers’s work; documentarian and sublime.

Damaged Goods: Diamonds in the Rough by Craig Hubert
Invasion  1 Resized Body

Craig Hubert discusses two gems from the 2011 New York Film Festival: Invasion, an Argentine film with a controversial past, and Dreileben, three conjoined horror films from three different directors.

Damaged Goods: Japanese New Wave by Craig Hubert
Damaged Goods Japanese New Wave

Craig Hubert discusses The Warped World of Koreyoshi Kurahara, a box set gathering five Japanese New Wave films directed by Koreyoshi Kurahara.

Digging in Cloudland: The Good and the Great by Miriam Bale
Digging In Cloudland Body

In the latest installment of Digging in Cloudland, critic Miriam Bale discusses Ade’s Everyone Else, Lang’s Moonfleet and the elusive quality of cinematic greatness.

Heaven of Our Own / As If… by David Phelps
Uncle Boonmee Who Can Recall His Past Lives 02

David Phelps rounds up the second half of the 2010 New York Film Festival, touching on Uncle Boonmee Who Can Recall His Past LivesMysteries of Lisbon,The Autobiography of Nikolai Ceasescu and some of avant-garde offerings.

Rolf Belgum’s Driver 23 at New York Underground Film Festival by David Schulz
Rolf Belgum

Driver 23 is RoIf Belgum’s poignant documentary account of Dan Cleveland, heavy metal rock ’n’ roller, modern day Sisyphus.

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