Film Editing

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Metaphors on Vision by Stan Brakhage
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A letter from Brakhage to the poet Robert Kelly describing his work on the groundbreaking film Mothlight.

Vesuvius in Your Mind: On Joan Jonas’s Early Films by Mónica Savirón
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Uncovering the artist’s innovations and legacies.

Amit Dutta by Shambhavi Kaul
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The filmmaker tracks the development of his research-based cinema from evocations of childhood memory to adaptations of Indian paintings and literature.

Ricky D’Ambrose by Steve Macfarlane
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“I don’t want to continue making movies this way.”

Abigail Child & Peter Bo Rappmund
Abigail Child & Peter Bo Rappmund

“Immaculate breakage! Elegant mobile! Yes! Yes! That’s it exactly!”

Lawrence Michael Levine by Gary M. Kramer
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The fine art of the romantic-comedy-thriller-mystery.

Jesse Moss by Pamela Cohn
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Compassion, religion, and secrets in a North Dakota boom town.

Robert Greene by Pamela Cohn
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Exploring performance in documentary film.

Iva Radivojevic by Pamela Cohn
The Opposite of Science Is Magic by Rachael Rakes
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Rachael Rakes on Jacqueline Goss’s video art and new film The Observers.

James Benning at Views From the Avant Garde by Colin Beckett
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James Benning’s Twenty Cigarettes blows smoke in the face of typical filmic portraiture. Colin Beckett explores the many dimensions of the film and its slippery subjects.

Join Us in a Prayer by Alex Zafiris
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Braden King’s film HERE, opening in LA on April 27 and in San Francisco on May 11, deals with themes of exploration in life, cinema, and map-making. Alex Zafiris spoke to the filmmaker on his return from Sundance 2011.

Tacita Dean by Jeffrey Eugenides
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I agree with the French. “Tacita Dean. Formidable!” She is an overpowering force and I cower before her in admiration.

Jem Cohen by Lucy Raven
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Lucy Raven compares filmmaker Jem Cohen’s Chain—and the excerpted cut Chain Times Three shown at MoMA—to Benjamin’s Arcades Project, as a cataloguing of an urban cultural moment.

Mike Figgis  by Bette Gordon
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Director Mike Figgis composed his film, Leaving Las Vegas, like a jazz score. It soars and crashes, and soars again.

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