Dialectics of mass and void.
Repurposing photographs of childbirth.
Scientists, motherhood, and other probings of the female body.
Painting the fragmented body.
A film uncovers an episode at the origins of the civil rights movement.
Editing a collection of artist Carolee Schneemann’s writings.
The gendered history of lobotomy.
The writer discusses growing up in the Borscht Belt, the prevalence of literary humor, and the power of feminist punch lines.
Lynne Tillman’s first novel in twelve years, Men and Apparitions, follows a narrator ruminating on his own subject position: Ezekiel “Zeke” Stark, a cultural anthropologist, conducts a study of men’s reactions to and impressions of the changing nature of masculinity in America today.
A pioneer of feminist filmmaking considers how social engagement, literature, and a keen sense of the corporeal inform her vision.
The author discusses Black feminist breathing, academia as access point, and writing three books that came from the same decision.
“Subversion is very basic to my work.”
Photographs and textiles that materialize community.
The artist talks about the genesis, composition, and execution of a recently completed work.
Investigating the interface between humans, nature, and technology.
“The meaning of art is destruction.”
Painting with a Roomba and International Klein Blue.
“Resistance and change often begin in art.”
The solitude of the voice.