Feminism

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Hidden Histories: Mary Kelly: The Practical Past by Jessica Holmes
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From the laundry room to the streets.  

From Absence to the Living Body: Radical Women: Latin American Art, 1960–1985 by Ellie Robins
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Recovering global feminism. 

The Form Vampire: An Interview with Carmen Maria Machado by Liza St. James
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“Our bodies are graveyards of cells, the source of art, inherently finite, constantly decaying.”

Missing Contexts: The Pioneering Work of Halprin, Forti, and Rainer by Karla Kelsey
Em The Branch Em

Tracing the lineage of feminism and social justice in postmodern dance.

Filming the Unspeakable: The Cinema of Yvonne Rainer by Dana Reinoos
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Radical feminist films from the legendary choreographer, artist, and dancer

Lidia Yuknavitch by Porochista Khakpour

Writing with the body as her touchstone, the novelist channels a woman warrior in The Book of Joan.

Sex, Tattoos, & Geocatastrophe by Lauren LeBlanc
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Freeing Joan of Arc from her Catholic trappings in Lidia Yuknavitch’s The Book of Joan

Now You See Them, Now You Don’t by Micaela Morrissette
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Reliable uncertainty in Deb Olin Unferth’s Wait Till You See Me Dance

Baseera Khan’s iamuslima by Terence Trouillot
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Exploring Muslim femininity through the politics of love

Rita Ackermann by Josh Smith
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We listen in as two painters talk painting, studio practice, and the way their works live out in the world.

Vikky Alexander’s 1981–1983 by Wendy Vogel
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Women, objects of desire and artifice

Beth B by Coleen Fitzgibbon

“My work is so much about breaking that cycle of trauma, abuse, violence, and disturbance. It brings it out into the open so we can have a dialogue.”

Dream the Myth Onward by Amber Power
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Feminists face off against Norman Mailer in the Wooster Group’s reenactment of the notorious ‘71 Town Hall debate

Lynda Benglis by Federica Bueti
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The eminent artist discusses her materials, “frozen gestures,” and the illusion of form.

Portfolio by Penis

We make music from joy and rage. We are flamboyantly nice and really angry.

Peaches by Zachary Small
Peaches Bomb 1

“I grew up having to sing along to very patriarchal, male, straight viewpoints—lyrics that had nothing to do with me.”

Simone Leigh’s The Waiting Room by Terence Trouillot
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For her residency at the New Museum, Leigh looks at the act of healing through the lens of black female caregivers, educators, and intellectuals.

Danielle Dutton by Kate Zambreno
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“For me she is that awkward cucumber, but also the roses and carnations. She spreads. She crushes. She’s crushed. Margaret is the whole garden.”

Margo Jefferson by Tobi Haslett
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“Crude action is required here. Take off that limb, see what’s left.”

And Everything Tasted of Soap by Jane Yong Kim
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On Barbara Comyns’s Our Spoons Came From Woolworths

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