Experimental Music

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Spinning and Daydreaming: Kristin Oppenheim Interviewed by Vijay Masharani
Ko Nightrun Frontcover

On her newly released collection of circuitous sound works created in the early ’90s.

Spinning and Daydreaming: Kristin Oppenheim Interviewed by Vijay Masharani
Ko Nightrun Frontcover

On her newly released collection of circuitous sound works created in the early ’90s.

To Match the Heavens and the Earth: Lemohang Jeremiah Mosese Interviewed by Nicholas Elliott
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The Mosotho filmmaker on oral literature, forced resettlement, and stitching together the old and new.

Black Unity Trio’s Al-Fatihah by Matthew Rivera
Black Unity Trio Front Cover High Res Copy

Reissued for the first time after fifty years, the Black Unity Trio’s rare and explosive free jazz album Al-Fatihah still resonates with the sounds of solidarity amid a scene of intense political struggle.

At the World’s Edge: Alessandra Novaga Interviewed by Alan Licht
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An album inspired by filmmaker Derek Jarman’s Prospect Cottage.

Beyond Form: Reynols Interviewed by Jack Callahan
Reynols Nikinoto

Trying to make the freest music possible.

Post-Post-Post-Era: Mats Gustafsson Interviewed by Alan Licht
The Thing By Ziga Koritnik2016 5

The free jazz saxophonist on new realities for experimental music.

An Evolution of Textures: Mary Halvorson and John Dieterich’s A Tangle of Stars Reviewed by Jasmine Dreame Wagner
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On preserving improvisational force and the fluid collaboration between two musicians.

Dialing Back: Lina Tullgren Interviewed by Gillian Walsh
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On resisting the limitations of genre and shifting toward a more spatial approach to composition.

Words Like Little Stones: Félicia Atkinson Interviewed by Ben Vida
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The sound artist on collecting and hunting for language.

Tent Music: 75 Dollar Bill’s I Was Real Reviewed by Michael Blair
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“You could dance to it, mourn with it, revel in it, or march alongside it.”

Jack Briece’s Heterophonious Fool by Tyler Maxin
Jack Briece Bomb Magazine 149

This fall, Concentric Circles will press to vinyl Heterophonious Fool—composer Jack Briece’s sole commercially-released recording…

Joshua Abrams & Natural Information Society’s Mandatory Reality by Ben Vida
Photo By Charlie Gross

A perfect hybrid of minimalism and spiritual jazz.

Amplified Objects: id m theft able Interviewed by C. Spencer Yeh
Id M Theft Able Garso Teatras 2018

The sound artist on musical prejudices, metal t-shirts, and shortwave radios.

William Basinski by Lea Bertucci
Trr311 William Basinski Hi Res

Coaxing elegies from tape loops, the composer propels us from the San Fernando Valley to deep space, then into “the long-form beyond.”

In Flow: Peter Evans Interviewed by Sam Weinberg
190610 Peter Evans By Peter Gannushkin 01

The improvisor and composer contemplates polyphonic pathways and reaching past the self.

The Endorithm 7 by Keith Connolly
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A selection of recently reissued music by Takehisa Kosugi, Roger Doyle, Laurie Spiegel, Luciano Cilio, and Dennis Weise.

The Soil That Things Grew From: Ute Wassermann and Werner Durand Interviewed by Mark Harwood
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The performers recount their experiences with Henning Christiansen and his work.

For Eyes and Ears: Ursula Block Interviewed by Alan Licht
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The founder of gelbe MUSIK, the renowned record store and gallery space, speaks about its history.

Full Wack and Tender, Too: Shelley Hirsch Interviewed by Peter Stampfel
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The two musicians converse about their working-class upbringing, the elitism of the avant-garde, and the politics of goofiness.

Tauba Auerbach and Sam Hillmer
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Before the premiere of their multimedia collaboration LIGATURE, visual artist Auerbach and saxophonist Hillmer talk about connectivity, geometry, and the nature of mind.

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