“Breaking away from magical realism ended up creating another stereotype: that of a generation obsessed with mass media, new technologies, and disdainful of politics.”
This June Alexis Knowlton spoke at The Drawing Center’s colloquium on the “Power of Art.” Her topic was “S.L.A.T.”, Super Lame Art Thematization; calling attention to the corruption of the artist’s intention in the presence of evil middlemen.
Who gets written into history? Who is forgotten? What are the conditions under which eradication can occur?
While Deborah Baker’s packed compendium does indeed tell stories of the Beats in India and more—Corso’s confessions of unrequited love, Burroughs’s surly brushes with sex and death, Kerouac’s ad hoc pronouncements on writing and marriage—Ginsberg is the protagonist of this lush tale.
Shriver’s new novel, So Much For That, which deals with America’s health care crisis, is out March 9th.
Both first-rate novelists, Frederic Tuten and Jerome Charyn grew up in the Bronx, meeting as teenagers at the home of Fay Levine, the Bronx’s own Elizabeth Taylor. The two reminisce after the release of Charyn’s novel The Green Lantern.
Shirley Jaffe’s distinctive and eccentric work is difficult to pin down, both in time and style. When I first came across her paintings at the Holly Solomon Gallery in New York in 1988, I had an immediate response to their idiosyncratic quality.
This First Proof contains the story “The Ambassador’s Son.”
Having just completed a biography of Jean Genet, Edmund White discusses jazz, sculpture, and “the art of the flaneur” with abstract sculptor Alain Kirili over dinner in Paris.
Murakami’s expert manipulation of the mundane into the magical has made him one of the most ubiquitous voices in contemporary fiction.
Early in the morning, in this part of the world, in the summer, the sun is so strong and direct, I believe that all the spirits must be holding that fiery globe in its heavenly place and shining it down on us.
LONDON: I stare at the wallpaper in my hotel room.
Janet Hobhouse discusses her various books with Bruce Wolmer — November, Dancing in the Dark and Everybody Who Was Anybody: A Biography of Gertrude Stein—and the differences between “American” and “English” writing.
Famed writer, editor, filmmaker, and publisher Charles Henri Ford speaks of his early years in Paris, his theory of collage, and how he came to obtain a nude photograph of Robert Mapplethorpe and Patti Smith.
The following Interview took place in the Kitchen House—Mr. Adams’s restaurant in Memphis, Tenn. Vegetables are chopped and neatly laid cut on the counter—huge works line the wall behind him. He sings.
Novelist, translator and editor Paul Bowles tells David Seidner about his literary career and life, spanning the greater part of the 20th century: working with Tennessee Williams, moments with Gertrude Stein, and a distaste for Wagner.
Sitting on a sidewalk in Athens, sitting on the curb in front of a shoe store, Jack saw me and called out, “Are you an American?” and I answered Yes and told him I was looking for a hotel. “Share mine,” he said, “a dollar a night.”