Exhibitions

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Starting with Place: Katerina Gregos Interviewed by Osman Can Yerebakan
Katerina Gregos1

Art in a time of rapid change. 

Touching As Loss: Jamieson Webster and Marcus Coelen Interviewed by Monica Uszerowicz
Jamieson Webster1

An art exhibition responds to a psychoanalytic text.

Life Like: Sculpture, Color, and the Body by Cynthia Eardley
Life Like1

A historical survey of figurative sculpture.

I Want Us To Look More Closely: Chloë Bass Interviewed by Jessica Lynne
Chloe Bass2

Asking the question, “Why are we like this?”

Studio Visit: Nate Lowman by Osman Can Yerebakan
Lowman1

American pop and detritus. 

Songs for Sabotage: The New Museum Triennial by Matthew J. Abrams
Triennial1

A political exhibition wrestles with its complicity.

Screen Interactions: Howardena Pindell’s Video Drawings by Olivia Gauthier
Pindell Review1

Television and its simulations.

Falling Man: Dag Alveng’s Still Time by Eli Zeger
Alveng1

Capturing subtle moments of transition.

Object Possibilities: Stories of Almost Everyone by Michael Valinsky
Stories Of Almost Everyone1

The Thingliness of Things at the Hammer Museum.

Supple Language: Jesse Chun Interviewed by Hannah Stamler
Jesse Chun1

Disfiguring the hegemony of standard English.

Unerased History: Provocations: Anselm Kiefer at The Met Breuer by Jonelle Mannion
Kiefer1

An exhibition of works on paper by the major German artist.

Radical Habitation: Gordon Matta-Clark: Anarchitect by Forrest Muelrath
Matta Clark1

Making interiors exterior.

Parallel Lines: Dany Johnson Interviewed by Richard Boch
Dany Johnson

Club 57: Film, Performance, and Art in the East Village, 1978–1983 at the Museum of Modern Art and The Mudd Club book.

The Idea of the Beginning Is Not Really at the End: Loup Sarion Interviewed by Madeleine Braun
Sarion1

fiction + volume = sculpture

Elastic and Unbuilt: The Projective Drawing at the Austrian Cultural Forum by Alex Tell
Saupper Judith 01

Contending with Robin Evans and the limits of architectural drawing.

One Unsettling Night in a Bar: Angela Washko’s The Game: The Game by Daniella LaGaccia
The Game1

Building empathy through simulated pickup artistry.

FOLD: Golden Venture Paper Sculptures by Chantal McStay
Fold1

From a tragic shipwreck to an epic, collective political art project.

The Art of Noise: Jim Shaw Interviewed by Osman Can Yerebakan
Shaw1

Remembering Mike Kelley.

Modernism and Dystopia: Catherine Opie Interviewed by William J. Simmons
Opie44

Portraiture as a form of mapping.

Bare Life: Naeem Mohaiemen’s There Is No Last Man by Tom McDonough
Mohaiemen1

Lost in history’s labyrinth. 

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