Exhibitions

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Hidden Histories: Mary Kelly: The Practical Past by Jessica Holmes
Kelly11

From the laundry room to the streets.  

Defying Categories: on Chimera: Vaginal Davis & Louise Nevelson by Matthew J. Abrams
Chimera1

Two artists creating hybrids

Anoka Faruqee and Michelle Grabner
Faruqee Anoka 01

Two artists find a mutual fascination with both the aesthetic qualities of repetition and the mechanical means of reproduction.

Missing Contexts: The Pioneering Work of Halprin, Forti, and Rainer by Karla Kelsey
Em The Branch Em

Tracing the lineage of feminism and social justice in postmodern dance.

Fall Arts Preview
Bernadette Mayer Memory 01

Upcoming shows, retrospectives, and museum openings highlighted by Maika Pollack, Ratik Asokan, Alex Zafiris, Gideon Jacobs, Michael Barron, Wendy Vogel, Zack Hatfield, and Legacy Russell

Gallery Crawl: Chelsea by Wendy Vogel
Robert Longo

The Mall-ification of Manhattan

Fletcher Williams III’s City Block by Chase Quinn
Fletcher Williams III 01

A Tale of Two Charlestons

The Arcades: Contemporary Art & Walter Benjamin by Claire Barliant
The Arcades 01

Benjamin as hollow window dressing

Vikky Alexander’s 1981–1983 by Wendy Vogel
Vikky Alexander 01

Women, objects of desire and artifice

Looking Back on 2016: Art & Film
Looking Back 2016 Art Film Bomb 1

Selections by Lucas Blalock, Carmen Boullosa, Liz Collins, Ricky D’Ambrose, Andrew Durbin, Scott Esposito, Jen George, Brent Green, Carlos A. Gutiérrez, Karl Holmqvist, Roberto Juarez, Baseera Khan, Jaime Manrique, Isaac Pool, Marina Rosenfeld, Frederic Tuten, Wendy Vogel, and Alex Zafiris.

Sondra Perry’s Resident Evil by Terence Trouillot
Sondra Perry 01

Black memes, black bodies.

Institutional Collusion: Merlin Carpenter and Cologne’s “Non-Productive Attitude” by David Everitt Howe

It’s very tricky, if not kind of futile, to criticize the work of Merlin Carpenter; he does it for you before you’ve even had the chance, calling his art “crap political work.”

Accompaniment by Charity Coleman
Accompaniment Bomb 01

Questions, extractions … of authorship, origin, and connectivity. Kari Cwynar and Kendra Sullivan’s curation of Accompaniment, a group show at EFA Project Space, is meticulous and airtight—the curatorial statement (a chapbook in itself) is a feat of textual and didactic density that leaves no stone or song unparsed.

Fia Backström by Robert Fitterman
Backstrom Fia 01

An equation for Fia Backström. In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser…

Susan E. Cahan’s Mounting Frustration: The Art Museum in the Age of Black Power by Terence Trouillot
Cahan Susan 01 Bomb 134

A 1971 photograph by Jan van Raay shows artist Cliff Joseph leading a group of artist-activists—members of the Black Emergency Cultural Coalition (BECC)—in the dead of winter protesting the Whitney Museum’s controversial exhibition Contemporary Black Artists in America (months before its opening on April 7, 1971).

Pierre Huyghe’s Rite Passage and Human Mask by Chris Chang
Huyghe Pierre 01 Bomb 133

Huyghe is forever fond of systems that try to take care of themselves—regardless of whether they self-generate, naturally decay, or both.

Looking Back on 2014 #6
Vision Pink

Selections by Mónica de la Torre, Matias Piñeiro, Hannah Holden, Sabine Russ, and Lisa Robertson.

Looking Back at 2014 #5
Looking Back Cyan

Selections by Deana Lawson, C. Spencer Yeh, Andrew Bourne, Orit Gat, Clinton Krute, and Brian Evenson.

Looking Back on 2014 #4
Vision Yellow

Selections by Kate Valk, Andrew Lampert, Tan Lin, Mary-Ann Monforton, and Ryan Chapman.

Looking Back on 2014 #3
Vision Orange

Selections by Nate Wooley, Laida Lertxundi, and Sarah Gerard.

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