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Nathalie Léger by Amanda DeMarco
Nathalie Leger Triptych Revised 2

The archivist and writer’s recently translated triptych fuses autofiction, essay, and criticism to study the complex lives of three female artists in the public eye.

Nathalie Léger by Amanda DeMarco
Nathalie Leger Triptych Revised 2

The archivist and writer’s recently translated triptych fuses autofiction, essay, and criticism to study the complex lives of three female artists in the public eye.

A Voice That Will Carry a Feeling: Sejal Shah Interviewed by Rudri Bhatt Patel
This Is One Way To Dance

A memoir that challenges stereotypes, celebrates dance, and reflects on loss.

Police Brutality Is Not the Only Honorable Way For Black People to Die by Matthew Thompson
Black Lives

I am in the shower washing off the day’s yard work. Mid-scrub I realize I missed a Black Lives Matter Cleveland rally in support of defunding the police. Relief pours over me.

We Believe It Won’t Happen to Us: Elisa Gabbert Interviewed by Lincoln Michel
The Unreality Of Memory5

On disasters, the “perverse incentives” of social media, and writing in catastrophic times.

To Create Ourselves Between the Day: Mark Nowak Interviewed by Voices: Poetry for the People
Mark Nowak Cover

On the relationship between poetry and social struggle.

Wayne Koestenbaum’s Figure It Out by Tracy O’Neill
Figure It Out By Wayne Koestenbaum

In a career spanning over two decades, Wayne Koestenbaum has copped to a lot.

Pessimism Is More Inclusive: Porochista Khakpour Interviewed by Myriam Gurba
Brown Album Burnt Orange

The writer on her new book Brown Album, personal essays, camp as armor, the hyperreal, and designing her own Barbie.

Mysterious Unfixable Elements: Olivia Laing Interviewed by Alex Zafiris
Apostasy

On writing to include others, artists who generate hope, and how constriction can be inventive.

Nearly Any Two Things Can Cohere by Asiya Wadud

The condition of most of our lives is that of continuous flight, in some manner or form—flight from faulty logic, from place of birth to the place we alight, from situations that no longer serve us, from political precarity—flight, as in rupture.

To Go Local by Erica Cardwell
Serge Attukwei Clottey And Go Lokal My Mothers Wardrobe Performance At Gallery 1957 6 March 2016 Courtesy The Artist And Gallery 1957 Photo By Nii Odzenma 23
Natasha Stagg’s Sleeveless by Eugenie Dalland
Sleeveless Cover

Stagg’s essays, stories, and profiles on art and fashion speak to the new spaces and meanings created by the Internet.

Hardening by Danielle Sosin

My mother sits on a coral reef, her gray hair undulating around her head, face blank, her eyes like a fish’s…

So Many Ways to Live a Life: Dan Fox Interviewed by Michael Barron
Limbo Dan Fox Web Cover

The writer on his new book of essays and the state of limbo as a necessary state of artistic life.

Reappear, Remind, Reverberate: Chelsea Biondolillo Interviewed by Erica Trabold
Tsb Cover

The essayist on writing about birds to bridge thematic leaps from fathers to tattoos to cross-continental moves.

Beyond Gist: On The William H. Gass Reader by Tyler Flynn Dorholt
Gass Reader Jkt

Sixty years of writing about language.

The Inexpressible: Erica Trabold Interviewed by Kristina Tate
Five Plots Cover

The writer on Swedish Nebraska, the lyric essay, and brevity as a superpower. 

Canids in Orbit: Kurt Caswell Interviewed by Taylor Larsen
Sputnik Asm

The writer discusses what Laika, the first Soviet space dog, can teach us about companionship and loneliness. 

Justice as Joy: Lacy M. Johnson Interviewed by Jennifer Baker
Lacy M Johnson By John Carrithers

The writer on surviving assault, deepening our standards for justice, and resisting forgiveness as the only way to move through pain.

Real Worlds and Dream Worlds: Amy Fusselman by Matvei Yankelevich
Img 0699 1

The writer on the space between poetry and prose, how fighting is like dancing, and the resonant symbolism of the idiophone.

An Artist’s Guide to Herbs: Black Seed by Harmony Holiday
Img 0947

With Nigella Sativa, we arrive at midnight together, to the intimacy that can come from mass hysteria. 

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