Education

In the 1890s in Berlin, a young sculptor started going out collecting plants.

On challenging the accepted models of the writing workshop to make room for marginalized experiences.

Honing sensory experience and collective mindfulness.

The twenty-one-year veteran of Paul Taylor Dance Company on creating access for young dancers.

The filmmaker speaks about The Souvenir, class, gender, and the autobiographical.

The social practice works of Bon and Tuazon take the form of functional interventions to address and educate about California’s water crisis.

The vocal improviser discusses the visceral tactility of the voice as a medium for organic and synthetic sound.

A return to live performance after a decade-long absence.

Composer Paola Prestini is the creative director of the soon-to-open Original Music Workshop. With vocalist Helga Davis, she elaborates on her Italian and Mexican background and her collaborations with artists of other disciplines.

Filmmaking as a collective project.

“If you don’t like a language, you can go write your own.”

Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.

I don’t remember when Amy and I first met—it must have been in the mid ’90s. However, I do remember that she saved my life by being one of the few artists who genuinely seemed to admire and enjoy what I was doing at a time when my work was barely known.

As Alissa Nutting’s Tampa scandalizes readers, the author defends her novel’s transgressive eroticism as a devilish temptation that readers must resist.

With human-rights activist Sameer Padania, British psychoanalyst and prolific essayist Adam Phillips free-associates on topics addressed in his new collection, On Balance: fundamentalism, excess, and the shortcomings of liberalism.

K.O.S., the Kids of Survival, coalesced around Tim Rollins in the early 1980s, a time of inclusion and shifting autonomy.

“So we do have this way of breaking down the country in these different interpretive units, these zones that have predominant themes but aren’t necessarily totally obvious either.”

En los últimos años Medellín se ha vuelto visita obligada de los arquitectos que vistan Colombia y América del Sur. 

In 1985, Sandy Denton and Cheryl James were working dead-end jobs at Sears when Hurby Azor, a coworker and audio production student, asked for help on a college project.