Drawing

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Studio Visit: Clotilde Jiménez by Terence Trouillot
Clotilde Jimenez Studio1

Exploring queerness and Black bodies through drawing and collage.

Studio Visit: Clotilde Jiménez by Terence Trouillot
Clotilde Jimenez Studio1

Exploring queerness and Black bodies through drawing and collage.

Slowing Images Down: Andrew Sendor Interviewed by Will Fenstermaker
Andrew Sendor Insta Covid 1

Making drawings of Instagram posts during COVID-19.

Fuu Being by Margot Ferrick
Ferrick Comic Bomb Magazine

Here I am Being! Me!

One Piece: Untitled (Sad Round Face) by Miyoshi Barosh
Miyoshi Barosh Final

An artist makes ambitious work in the final years of life.

Dissimilarity in Unity: Richard Tuttle Interviewed by Osman Can Yerebakan
Richard Tuttle1

The artist discusses his approach to drawing and color.

Work As Gift: Sean Sullivan Interviewed by Paul Maziar
Sean Sullivan1

Honoring the art-making process.

An Hourglass Experiences Ego Death by Kyung Me & Harry Gould Harvey IV
01

A collaboratively drawn comic.

Portfolio by Dawn Clements
Clements2 Tables2014 Bw

Dawn Clements (1958–2018) was an artist based in Brooklyn. Her paintings and drawings captured her immediate surroundings as well as architectural interiors from films.

Portfolio by Martin Wilner
Martin Wilner4

Drawings and notes on relation.

The spirit and the damage done: On Bruce Nauman’s 100 Live and Die by Paul Chan
Pau Chan1

The art of dehumanization.

Janaina Tschäpe by Francesco Clemente
2 Jts P 18 4336 Shadow Lake 2018 Photo Jason Wyche

The paintings in HumidGray and ShadowLake evoke synesthetic colors, remembered landscapes, and the physical performance inherent in marking a canvas.

Dispatches from Proje Su by Aidan Koch & Margaret Ross Tolbert
Dscn0224 Limyra Hand

For the past five years, artist Margaret Ross Tolbert has been traveling to southern Turkey to the site of ancient Lycia, an autochthonous culture with roots in the Bronze Age, later Hellenized, and eventually controlled by the Romans.

One Piece: Dead King 16 [10th Century Irish Lord] by Kate Glasheen
Kate Glasheen Image

The artist talks about depicting imagined and real historical figures.

The Continuity of Substances: Jonathan Silver Interviewed (Part 3) by Michael Brenson
3 Jonathan Silver1

The sculptor discusses his work and its influences.

The Continuity of Substances: Jonathan Silver Interviewed (Part 2) by Michael Brenson
2 Jonathan Silver1

The sculptor discusses his work and its influences. 

The Continuity of Substances: Jonathan Silver Interviewed (Part 1) by Michael Brenson
1 Jonathan Silver1

The sculptor discusses his work and its influences.

Mr. Vladimir Putin’s Photo with Women by Deb Sokolow
Sokolow Page1 Ab Edit

An embarrassing incident at the Kremlin (from 2015? was it 2016?): in which women invited to an International Woman’s Day photo with Mr. Vladimir Putin arrive in high heels, much to the fear of Mr. Putin’s staff who are there to witness several tall women towering over the Russian Federation president.

Studio Visit: Madeline Hollander by Mikkel Rosengaard
Hollander1

Visually notating dance.

Tauba Auerbach and Sam Hillmer
7 Auerbach

Before the premiere of their multimedia collaboration LIGATURE, visual artist Auerbach and saxophonist Hillmer talk about connectivity, geometry, and the nature of mind.

Otobong Nkanga’s To Dig a Hole That Collapses Again by Jason Foumberg
To Dig a Hole That Collapses Again

Through layered symbolism—such as sticks and roots threading and pricking interconnecting bodies and mounds of earth—the Kano, Nigeria–born, Paris-trained, Antwerp-residing artist Otobong Nkanga works through the trauma of decolonization by probing links between Europe’s economic growth and the exploitation of African lands.

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