On stage and in the studio, Kwak (aka Xina Xurner) summons bodies, objects, and energies that flourish at the “seams of the illusions of fixed identity.”
On being an outsider, the nature of authenticity, and the depths of pop-culture.
Erin Markey discusses familial relationships, making “stuff for stage and video,” and dating chaperones.
On New Year’s Eve 1980, I watched the new-wave band Human Sexual Response perform at the now defunct Boston Phoenix. I was 14 and my sister and her classmates from the Massachusetts College of Art snuck me past security.
Legendary cross-dresser and co-founder of the theater troupe Split Britches joins playwright Craig Lucas for non-stop laughter and revelations about alternative theater, life, drugs, and the busting of conventions in general.
“I know the ball walkers aren’t “feminists” in the politically correct sense of the term, but what they are doing is innately feminist. A boy becomes a girl—gender is a learned thing, and these people chose to be women despite the American social convention that to be a man would be the preferable choice.”
“I was in the first Palm Revue with a group of about 30 people, including Candy Darling, Jackie Curtis, Alexis Del Lago—some of the legends produced and directed by Sheyla Baykal. We packed them in. One night Diana Vreeland brought Cecil Beaton and they just barely got in the back door. It was a big show—music, dancing, comedy, tableaux, solo spots.”