The filmmakers question the conventions of documentation with work that seeks transparency and authenticity outside of the fiction–nonfiction dichotomy.

The artist on how her practices influence one another, who gets to be a “Renaissance man,” and the significance of DIY ethics.

The performance artist aka Dynasty Handbag recounts her journey from the San Francisco DIY scene to New York’s avant-garde theater world and ultimately to Hollywood.

The Puerto Rican punk-DIY performance collective on challenging institutional norms for making theater.

“I take myself, my drawings, and this little bundle of creative forces that is me, and I try to make a chemical reaction with the world.”—Swoon

Restoring, archiving, and exhibiting artists‘ films from the post-punk era.

Frontman Mike Donovan discusses the lo-fi DIY recording and music-making process of Sic Alps, set to release their fourth full-length album.

The Bug is Kevin Martin, the influential London-based musician/producer who, under the spell of the voices and rhythms of Jamaican dancehall, helped spawn a new era of dance-floor experimentation—as told to Jace Clayton.

The infinitely prolific songwriter R. Stevie Moore will play in New York on August 11. He talks process and practice with artist David Shrigley, whose career was recently surveyed in a retrospective at London’s Hayward Gallery.

Andrew Moszynski on why optimism is at the heart of the socioeconomic statements Fernanda Laguna makes with her paintings, drawings, poems and plays.

For eight years, the Brooklyn-based arts organization Booklyn has championed what it calls “peoplemade books”: artist books, zines, and other small press.

Lucy Raven compares filmmaker Jem Cohen’s Chain—and the excerpted cut Chain Times Three shown at MoMA—to Benjamin’s Arcades Project, as a cataloguing of an urban cultural moment.