Digital Photography

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Roe Ethridge by Tim Griffin
Roe Ethridge Bomb 01

Humor, commerce, and family play big roles in Ethridge’s conceptual photography.

Lucas Blalock by Taylor Dafoe
302294585 04252016 Blalock Bomb 02

“If I do something to a photograph, the viewer has an impulse to naturalize what happened, to correct the mistake.”

End Page by Michael Auder
276226725 03012016 Lauder Michel Bomb End Page

A new work created exclusively for BOMB.

Portfolio by Samuel Levack & Jennifer Lewandowski

Celestial Seasons

Sara Cwynar by Ashley McNelis & Legacy Russell
Sara Cwynar 1

The origins of nostalgia and some theoretical foundations of photography.

Albert Serra by Steve Macfarlane
Albert Serra 01

Casanova, Dracula, and art in the age of digital filmmaking.

Assaf Evron by Abigail Winograd
Assaf Evron 01

Art history via conversations

After Photography by Fred Ritchin by Francesca Romeo
Article 4186 Afterphotography1

Weaving through philosophical analysis, photojournalism, propaganda, quantum physics, and cyber-culture, Fred Ritchin’s recently reprinted 2008 book After Photography charts an effective path through the multifarious aspects of digital photography.

Peter Campus by John Hanhardt
Campus 10 Body

Peter Campus, seminal artist of alternative media, returns to video in his series, Video Ergo Sum. Less conceptual than his earlier work, more personal and unabashedly beautiful, the piece reflect his ongoing investigation into the perception of self.

Rivka Rinn by Roberto Juarez
Rinn 1 Body

Rivka Rinn makes art with a “kinda” new medium that artists on both sides of the Atlantic have toyed with, computer-scanned ink on canvas.

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