The art of animation and automatons.
Interrogating the whiteness of the user interface.
A print project glitched by digital media.
Citation, embodiment, movement, and holograms.
Like his older compatriot Mark Leckey, Atkins deftly utilizes syncopated montages of sounds and filmic images to create disturbing and disorienting virtual realities.
The art book has changed.
An archive—cycled through, printed in dying ink, and fed back again.
As the title of a literary publication, this word—Pry—must serve as a kind of invitation, an invitation to read.
For Hoff, distribution networks serve as creative agents. Musician Eli Keszler queries the artist and publisher of Primary Information on paintings based on viruses and syndromes, and also on his pop-leaning sound works.
Helsinki Web Sketches are a series of graphic compositions assembled from images shot during an artist residency at HIAP—Helsinki International Artist Programme, Summer, 2013.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Ringtones and shutdown alerts become vocalists in James Ferraro’s newest digital album for a digital age.
Artist Jason Lazarus has his hands full—with GIFs, pics, and sign-sticks.
This Editor’s Choice contains Paul W. Morris on Electric Literature’s publishing model, which utilizes a combination of various electronic formats and print-on-demand technologies.