Digital Art

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Fire and Smoke: Pink Siifu Interviewed by Branden W. Joseph
An album cover featuring a close-up of a person screaming in front of the American flag titled, NEGRO DELUXE, Pink Siifu

New music, videos, and visuals from the multidisciplinary artist.

Fire and Smoke: Pink Siifu Interviewed by Branden W. Joseph
An album cover featuring a close-up of a person screaming in front of the American flag titled, NEGRO DELUXE, Pink Siifu

New music, videos, and visuals from the multidisciplinary artist.

Constructed Situations: Alexander Si Interviewed by Naomi Falk
A face wearing a surgical mask peers through a square aperture in a wall to see its face reflected on various screens titled, Rear Window, by Alexander Is

Installations that explore media technologies.

The Virtual and the Tangible: Auriea Harvey Interviewed by Charlotte Kent
A bronzed hand holding an eyeball against a background of flames titled, Stygian Hand, by Auriea Harvey

An artist at the forefront of new technologies.

Mining the Underground: Nicolas Sassoon Interviewed by Alison Sinkewicz
Two glowing orange LCD panels hanging from curved bars inserted into stones titles, The Prophets Kaolea, by Nicolas Sassoon

Combining the sculptural and the digital.

The World’s Chaos Intercedes: Zia Anger’s My First Film by Jasmine Dreame Wagner
screenshot of computer screen with collage of open images notifications and text boxes

The detritus of a filmmaking career becomes an immersive work of autofiction.

Alchemical Energies: Dakota Gearhart Interviewed by Minh Nguyen
Still of a yellow rose set against a psychedelic background with text reading Aren't you sensitive to the feelings of others, from The Sextant of the Rose by Dakota Gearhart

Video and sculpture that combine the digital and organic.

Looking Back: BOMB on the Past Decade in Art
Kanishka Raja Final

With contributions from Naeem Mohaiemen, Martha Rosler, Devin Kenny, Swoon, and more.

New Myths: Jonathan Monaghan Interviewed by Sean Capone
Atrace Leftbythe Future Install 02

Somewhere between cinema and video games.

The Art Happens Here: Net Art’s Archival Poetics by Olivia Gauthier
Net Art1

Presenting a canon of net art.

Animation and Abstraction: Jennifer Steinkamp Interviewed by Sean Capone
Jennifer Steinkamp1

Connecting real space and virtual images.

Alien and Sedition: Ryan Kuo Interviewed by Kent Szlauderbach
Ryan Kuo1

Interrogating the whiteness of the user interface. 

The Ecstasy of Time: Reframing the Medium of Knowing by Li Bowen
Ecstasy Of Time1

Translating the human to the digital. 

Ed Atkins by Terence Trouillot
Ed Atkins Bomb Magazine 01

Like his older compatriot Mark Leckey, Atkins deftly utilizes syncopated montages of sounds and filmic images to create disturbing and disorienting virtual realities.

Michael Morley & Alan Licht
Licht Morley Bomb 1

“Oh no, this is sounding too beautiful, too seamless, and too much like it was planned. I have to unravel it.”

Joana Hadjithomas & Khalil Joreige by Jessica Hong
Hadjithomas And Joreige Bomb 6

“A good part of our work is about giving materiality to things that aren’t visible.”

Skinscreen: Art and Poetry at the New Museum’s Surround Audience Triennial by Alan Gilbert
Surround Audience 01

The title Surround Audience evokes the ceaseless ambient noise of the digital age: not only social media but the Internet at large as the general virtualization and modification of human experience, physical bodies, and social interactions.

Leah Beeferman by Lucas Blalock
Leah Beeferman Bomb 1

Drawing, the digital, technique.

Madeleine Hunt-Ehrlich by Legacy Russell
257486761 11112015 Madeleine Hunt Ehrlich 01

Choreography, hip-hop, and cricket in New York.

Portfolio by Justin Berry
Berry1

A new web-based work considers the online landscape.

DUMP.FM: Ryder Ripps & Glass Popcorn by Legacy Russell
Coverimagedump Body

Invented by Ryder Ripps, DUMP.FM is an online image-share platform with the rising reputation as one of the primary breeding grounds for young digital artists. One of them is Glass Popcorn. And he needs a date to the dance.

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