Previewing a public performance on the Bronx River.
Citation, embodiment, movement, and holograms.
A choreographer and a visual artist imagine ways of inhabiting civic spaces.
Nineteenth-century female hysteria and contemporary digital culture on stage.
The Indiana-based producer composes intricate music from a blank slate, but her inspirations range from Nina Simone to discrete mathematics.
Featuring selections by Bethany Ides, Isaac Pool, Charles Bernstein, Matthew Weinstein, Ivan Talijancic, and more.
Dance as secular and sacred devotion.
The art and science of the costume.
Tracing the lineage of feminism and social justice in postmodern dance.
Radical feminist films from the legendary choreographer, artist, and dancer
A performance artist who grew up in the circus uses clowning, street dance, and butoh in playful and provocative combinations.
A feminist paean from one Polish artist to another
Friendship and the lies we tell ourselves in Zadie Smith’s Swing Time.
In Tongue PhD––Lithuanian-born, New York-based artist Ieva Misevičiūtė’s latest solo performance, which had its US premier at The Kitchen this September––the muscular movements, animal ancestry, and (countless) metaphoric permutations of the tongue are explored and presented in the style, oddly enough, of a PhD dissertation.
On the 50th anniversary of 9 Evenings: Theatre and Engineering, an intergenerational concert series celebrates the technological innovations of the 1960s New York avant-garde. Times have changed.
Inaugurating Deitch’s return to SoHo, Head proved to be little more than sexual provocation.
The celebrated choreographer of Bronx Gothic explores the embodiment of psychic space, the nature of memory, and who gets to write history.
“I hope it’s not a masochistic impulse within me, but I will always stay until the end to see how a creative thought completes itself.”