Dance

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Elliptical Communication: Alexandra Pirici’s Co-natural by Rachel Valinsky
Pirici1

Citation, embodiment, movement, and holograms.

Making Connections: Joanna Kotze and Jonathan Allen Interviewed by Zachary Fabri
Kotze1

A choreographer and a visual artist imagine ways of inhabiting civic spaces.

Holy and Profane: Marianna Ellenberg Interviewed by Wendy Vogel
Ellenberg11

Nineteenth-century female hysteria and contemporary digital culture on stage.

Jlin by Jibade-Khalil Huffman​
Jlin 1

The Indiana-based producer composes intricate music from a blank slate, but her inspirations range from Nina Simone to discrete mathematics.

Looking Back on 2017: Theater & Performance
Looking Back 2017 Theater

Featuring selections by Bethany Ides, Isaac Pool, Charles Bernstein, Matthew Weinstein, Ivan Talijancic, and more.

On the Quest for Spiritual Spaces: zoe | juniper Interviewed by Ivan Talijancic
Juniper11

Dance as secular and sacred devotion.

The Visual Choreographic: Walter Dundervill Interviewed by Ivan Talijancic
Dundervill1

The art and science of the costume.

Missing Contexts: The Pioneering Work of Halprin, Forti, and Rainer by Karla Kelsey
Em The Branch Em

Tracing the lineage of feminism and social justice in postmodern dance.

Filming the Unspeakable: The Cinema of Yvonne Rainer by Dana Reinoos
Yvonne Rainer Films 01

Radical feminist films from the legendary choreographer, artist, and dancer

Ieva Misevičiūtė by Melanie Bonajo
Ieva Miseviciute Bomb Magazine 01

A performance artist who grew up in the circus uses clowning, street dance, and butoh in playful and provocative combinations.

Paulina Olowska’s Slavic Goddesses—A Wreath of Ceremonies by Charity Coleman
Paulina Olowska 01

A feminist paean from one Polish artist to another

A Wrinkle in Swing Time by Chase Quinn
Zadie Smith 01

Friendship and the lies we tell ourselves in Zadie Smith’s Swing Time.

Enacting Stillness by Kay Larson

From mindful Minimalism to inaction as activism.

Ieva Misevičiūtė’s Tongue PhD by Amber Power
Ieva Miseviciute 01

In Tongue PhD––Lithuanian-born, New York-based artist Ieva Misevičiūtė’s latest solo performance, which had its US premier at The Kitchen this September––the muscular movements, animal ancestry, and (countless) metaphoric permutations of the tongue are explored and presented in the style, oddly enough, of a PhD dissertation.

All Is but Circuitry by Steve Dalachinsky

On the 50th anniversary of 9 Evenings: Theatre and Engineering, an intergenerational concert series celebrates the technological innovations of the 1960s New York avant-garde. Times have changed.

Eddie Peake’s Head by David Everitt Howe
Eddie Peake 01

Inaugurating Deitch’s return to SoHo, Head proved to be little more than sexual provocation.

Okwui Okpokwasili by Jenn Joy
Okwui Okpokwasili 01 Bomb 137

The celebrated choreographer of Bronx Gothic explores the embodiment of psychic space, the nature of memory, and who gets to write history.

Nicky Paraiso by Zachary Small
Nicky Paraiso Bomb 2

“I hope it’s not a masochistic impulse within me, but I will always stay until the end to see how a creative thought completes itself.”

Jack Ferver by Joshua Lubin-Levy

Otherness is always such a big part of my work. Formally, I don’t fit any specific niche in performance. Some works, like this one, are theater that use dance. Some are more dance heavy, or maybe only dance if I’m making ballet.

Mind Over Mirrors by Steve Gunn
Mind Over Mirrors 1

Performance, improvisation, and chasing the perfect drone.

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