The artist mines the visual languages of virtual reality, contemporary dance, music videos, ancient Roman architecture, and West African shrouding rituals to create a “weird, metastasized utopia” of digital social space.
Overlooked modernisms on display.
The recent conclusion of the choreographer’s trilogy, Water Will (in Melody), employs mime, gothic imagery, and a Grimm tale, to consider entanglements of nature, the feminine, and blackness.
The choreographer on the site of the body, nonhuman temporalities, and translating research to the stage.
The Greek choreographer’s long-awaited North American debut with The Great Tamer.
Thinking the politics of race in contemporary dance.
Creating family and language through dance.
Visually notating dance.
Previewing a public performance on the Bronx River.
Citation, embodiment, movement, and holograms.
A choreographer and a visual artist imagine ways of inhabiting civic spaces.
Nineteenth-century female hysteria and contemporary digital culture on stage.
The Indiana-based producer composes intricate music from a blank slate, but her inspirations range from Nina Simone to discrete mathematics.
Featuring selections by Bethany Ides, Isaac Pool, Charles Bernstein, Matthew Weinstein, Ivan Talijancic, and more.
Dance as secular and sacred devotion.
The art and science of the costume.
Tracing the lineage of feminism and social justice in postmodern dance.
Radical feminist films from the legendary choreographer, artist, and dancer
A performance artist who grew up in the circus uses clowning, street dance, and butoh in playful and provocative combinations.
A feminist paean from one Polish artist to another