Dance
At some point in the late ’70s, when Douglas Crimp and I were art history doctoral students at the Graduate Center, CUNY, he invited me to the ballet.
At some point in the late ’70s, when Douglas Crimp and I were art history doctoral students at the Graduate Center, CUNY, he invited me to the ballet.
A collection of texts by and about the groundbreaking choreographer and filmmaker.
Integrating psychology and spirituality with choreographic practice.
The artist mines the visual languages of virtual reality, contemporary dance, music videos, ancient Roman architecture, and West African shrouding rituals to create a “weird, metastasized utopia” of digital social space.
Overlooked modernisms on display.
The recent conclusion of the choreographer’s trilogy, Water Will (in Melody), employs mime, gothic imagery, and a Grimm tale, to consider entanglements of nature, the feminine, and blackness.
The choreographer on the site of the body, nonhuman temporalities, and translating research to the stage.
The Greek choreographer’s long-awaited North American debut with The Great Tamer.
Thinking the politics of race in contemporary dance.
Creating family and language through dance.
Previewing a public performance on the Bronx River.
Citation, embodiment, movement, and holograms.
A choreographer and a visual artist imagine ways of inhabiting civic spaces.
Nineteenth-century female hysteria and contemporary digital culture on stage.
The Indiana-based producer composes intricate music from a blank slate, but her inspirations range from Nina Simone to discrete mathematics.
Featuring selections by Bethany Ides, Isaac Pool, Charles Bernstein, Matthew Weinstein, Ivan Talijancic, and more.
Dance as secular and sacred devotion.
The art and science of the costume.
Tracing the lineage of feminism and social justice in postmodern dance.
