In the 1890s in Berlin, a young sculptor started going out collecting plants.

On challenging the accepted models of the writing workshop to make room for marginalized experiences.

In Evans’s first interview before the release of her new and unintentionally prescient collection, The Office of Historical Corrections, she discusses humor, power, and replicas of the Titanic.

On navigating the success and failure dichotomy, the tropes of women friendship narratives, and working across mediums.

The challenge of craft practices to patriarchy and the art world.

Beading images of deadly viruses and bacteria into enticing designs, Cuthand makes visible Indigenous communities’ exposure to disease from first colonial contact to today.