Costumes

A selection from husband and wife team Hillerbrand+Magsamen’s House/Hold series (2011-12), plus a video excerpt of Family Portrait (2012).

Geo Wyeth discusses first experience with video in Kitchen Steve Project and examines the relationship between technology and performance.

With OPEN, director Jake Yuzna peels back the skin of love and sex in the modern age, giving audiences a glimpse of what the future holds—on the silver screen and beyond.

An artist on artists text on Laura Lima by Cabelo, accompanied by several photographs of sculpture pieces by Laura Lima, the first titled Gala Chicken.

“I worked at Shepherd-Pratt mental hospital, and I liked to take my name tag off and maybe be confused for one of the patients.”

Yinka Shonibare first came to widespread attention through his use of Dutch wax fabric, which he has used both as the ground of his paintings and to clothe his sculptures. 

Zoë Wanamaker’s performance in Sophocles’s Electra brought New York audiences to their feet every night in 1999. Catharsis never had it so good. Film director Bette Gordon talks to the legend.

Jeffrey Vallance’s art has infiltrated the Vatican, the Debbie Reynolds Museum, the Liberace Museum and a Nautical Museum not far from the Arctic Circle. Writer David Pagel quizzes Vallance on the sacred and the profane.

Academy Award winner Linda Hunt speaks with Craig Gholson and Vincent Caristi about her roles in The Year of Living Dangerously, Silverado, and the Public Theater’s production of Wallace Shawn’s Aunt Dan and Lemon.

Two photographs, Ethyl Eichelberger as Lucretia Borgia and Ann Magnuson as Mrs. Rambo by Kate Simon. Magnusons’ dress by Pilar Limosner and wig by Barry Hendrickson.

Cindy Sherman’s earliest photographic work displayed her posed tauntingly in sets. Mimicry, mostly of ’50s and ’60s film, they anticipated a voyeuristic response.