Color Field Painting
The blues, sports, lessons from Dave Van Ronk, and the legacy of “triumphal American painting” are among the stimuli for Weatherford’s large-scale abstract works.
“The reward is getting through the tough stuff. And that’s what’s perplexing about the art thing. When I was going to school there were kids that could draw their asses off. There were kids that were better draftsman than me, for certain. But no one was more determined than me.”
“I don’t want to mention names, but there are several black artists that would like to shoot me today because they weren’t in that show. Some of them are dead, but the ones that aren’t dead still give me a lot of bullshit every time I see them.”
“My work was just like art history; it was all Velázquez, Goya, Cézanne, and Soutine. But when I saw Morris Louis I saw a way into the present.”
A painter colleague, Fabian Marcaccio, uses a phrase to describe a certain kind of artist. He says that they are “long runners.” Stanley Whitney is a long runner.
Painter Suzanne McClelland discusses visual acoustics, marginal language and musical references with poet Barry Schwabsky.
Working for Isamu Noguchi in the 1980s, Bobbie Oliver saw the time this artist took to study a stone before altering it in any way.
Kris Chatterson interviews painter Eric Freeman.