Colonialism

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Embodied Practice: Christine Howard Sandoval Interviewed by Louis Bury
Arch Christine Howard Sandoval1 Final

Art that addresses colonial legacies.

Embodied Practice: Christine Howard Sandoval Interviewed by Louis Bury
Arch Christine Howard Sandoval1 Final

Art that addresses colonial legacies.

Entanglements Across Time and Space: Rachelle Dang Interviewed by Louis Bury
Seed Box Trees Of New York Rachelle Dang1

Installations that reframe colonial perspectives.

To Match the Heavens and the Earth: Lemohang Jeremiah Mosese Interviewed by Nicholas Elliott
Untitled 1 46 2 2

The Mosotho filmmaker on oral literature, forced resettlement, and stitching together the old and new.

The Trail of Connections: Rick Barot Interviewed by Jane Wong
The Galleons

The poet on his new collection, language as resistance, research as a starting point, and how the intimate suggests the epic.

The End of White Supremacy, An American Romance by Saidiya Hartman
The Wave by Arthur Jafa Still #1

One hundred years later, Hartman revisits W.E.B. Du Bois’s 1920 short story, “The Comet”—”a speculative fiction about the end of the world written after the pandemic of 1918, after the Red Summer of 1919, and in the context of colonial expansion and atrocity.”

Édouard Glissant’s Sun of Consciousness by Miho Hatori
Édouard Glissant, Sun of Conciousness,

Last spring, inspired by Édouard Glissant’s theory of mondialité, I created an experimental performance salon at The Kitchen, featuring sound stories with an attitude of globality and an improvised/ambient/chanting vibe.

A Crisis of Personhood: Tsitsi Dangarembga by Bhakti Shringarpure
This Mournable Body4

The writer and activist filmmaker on completing the trilogy comprised of Nervous Conditions, The Book of Not, and This Mournable Body—narratives of women’s strength in the face of injustice.

Self and Community: Billy Gerard Frank Interviewed by Katy Diamond Hamer
Billy Gerard Frank1

Exploring Grenada’s past and present.

Conceptual Fantasies: On Mark Haber’s Reinhardt’s Garden by Carlos Fonseca
Reinhardt Garden4

A playful take on Latin American expeditions that reveals the contradictory problems therein.

Traversing a Life Through Movement, Text, and Film: Germaine Acogny Interviewed by Nicole Loeffler-Gladstone
Thomas Dorn 2

The “mother of African contemporary dance” discusses her solo, multimedia performance SOMEWHERE AT THE BEGINNING.

From Scorpionic Sun by Mohammed Khaïr-Eddine

I disrupt the concupiscence of tube worms / where your snowy owl eye consults among white crusts / the venom of my gymnodactyl eye / which bribes the slag of trilobites

Prageeta Sharma and James Thomas Stevens
El Barril 01 Bw

On a visit to the New Mexico Museum of Art, two poets grapple with questions of performed authenticity and settler poetics, while analyzing depictions of the American West.

Forms of Exchange: Rina Banerjee Interviewed by Tausif Noor
Rina Banerjee1

The artist discusses her current retrospective.

T.J. Demos’s Decolonizing Nature: Contemporary Art and the Politics of Ecology by Nich Hance McElroy
Decolonizing Nature

In a leafy courtyard at Cairo University, the philosopher Graham Harman explains that politics is just another object among a level field of objects …

Everywhere at Once: José Maceda’s Musical Territory by Aki Onda
Pagsamba Title

The secrets are boxed within. That’s what I thought two years ago in Quezon City, where I was doing research at the University of the Philippines Center for Ethnomusicology.

Ruth Cuthand by Chantal McStay
Not May Land

Beading images of deadly viruses and bacteria into enticing designs, Cuthand makes visible Indigenous communities’ exposure to disease from first colonial contact to today.

Las Nietas de Nonó by Pepón Osorio
Bb10 Las Nietas De Nono 30

Sisters Lydela and Michel Nonó conduct performative interventions at their art space/home in Puerto Rico, using improvisation to process family memories and trace the wounds of colonialism.

Water as Memory and Dreams: Jamilah Sabur Interviewed by Monica Uszerowicz
Sabur 1

Historical currents reveal cultural trauma and methods of recuperation.

Arturo Ruiz del Pozo’s Composiciones Nativas and Miguel Flores’s Primitivo by Renato Gómez
Records

Peru is an experiment—from colony to slavery to independence to diasporic migration; from military to revolutionary to criollo dictatorship; and then from corruption to neoliberalism to democracy to, finally, more corruption. (Can someone rewind the tape and get us back to side A please?) In the 1970s, out of this motley salad of historical tensions came musicians Arturo Ruiz del Pozo and Miguel Flores, who questioned the nature of Peru’s cultural production and identity with sound.

Otobong Nkanga’s To Dig a Hole That Collapses Again by Jason Foumberg
To Dig a Hole That Collapses Again

Through layered symbolism—such as sticks and roots threading and pricking interconnecting bodies and mounds of earth—the Kano, Nigeria–born, Paris-trained, Antwerp-residing artist Otobong Nkanga works through the trauma of decolonization by probing links between Europe’s economic growth and the exploitation of African lands.

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