On writing music to the poems of Nick Flynn, Marie Howe, Natalie Diaz, and others.
The composer and percussionist’s Autoschediasms language invites collaborative composition between a conductor and musicians by employing a lexicon of gestures and textual cues.
An entanglement with various modes of knowledge production.
The final part of a performance trilogy on climate change, Falling Out fuses puppetry, Butoh, and Flex, to reflect on the Fukushima Daiichi nuclear disaster.
The social practice works of Bon and Tuazon take the form of functional interventions to address and educate about California’s water crisis.
Two artists drawing from punk, graffiti, and traditional Native American aesthetics, talk about protest art and the notion of the “Post-Smithsonian delinquent.”
You are a color-blind social worker in a small town and your secret is you stopped giving a fuck. A man you loved more than you knew was possible has left you, but so what, right?
Sisters Lydela and Michel Nonó conduct performative interventions at their art space/home in Puerto Rico, using improvisation to process family memories and trace the wounds of colonialism.
Reassembled fragments of texts and vocalizations invite audiences into the immersive installations of these two artists.
Fashioning ersatz artifacts and museological displays, two artists dispense with individual authorship to inhabit the “speculative nature of history” with an eye on the future.
The director of The Rest I Make Up reflects on the life and companionship of María Irene Fornés.
Creating collaborative, environmental public art.
An art exhibition responds to a psychoanalytic text.
An artist’s collaboration with musicians.
An artist and a choreographer challenge the term collaboration, which they see as an approach rather than an outcome or frame of interpretation.
The inventive electronic musician discusses collaboration, method, and digital distribution.
A collaboration between B. Ingrid Olson and Kate Zambreno.
From Super PAC to supernova, two artists view photographs through the lens of time, and time through the lens of colonialism.
A choreographer and a visual artist imagine ways of inhabiting civic spaces.