Collaboration

On the US debut of their theatrical installation Sun & Sea, an operatic beach scene exploring the relationship between people and our planet.

The artist and composer discuss their collaborative process.

A multidisciplinary artist talks about collaborative work.

A collaborative piece on the elements.

The writer on her new novel, creative partnerships, sex as communication, and tending to old drafts.

The artist talks about subcultures, collecting, and collaboration.

At the heart of Leave to Remain is the two authors, who, like Janus, share two faces and a mind that begins as two but comes to function as one,.

On writing music to the poems of Nick Flynn, Marie Howe, Natalie Diaz, and others.

The composer and percussionist’s Autoschediasms language invites collaborative composition between a conductor and musicians by employing a lexicon of gestures and textual cues.

An entanglement with various modes of knowledge production.

The final part of a performance trilogy on climate change, Falling Out fuses puppetry, Butoh, and Flex, to reflect on the Fukushima Daiichi nuclear disaster.

The social practice works of Bon and Tuazon take the form of functional interventions to address and educate about California’s water crisis.

Two artists drawing from punk, graffiti, and traditional Native American aesthetics, talk about protest art and the notion of the “Post-Smithsonian delinquent.”

You are a color-blind social worker in a small town and your secret is you stopped giving a fuck. A man you loved more than you knew was possible has left you, but so what, right?

Sisters Lydela and Michel Nonó conduct performative interventions at their art space/home in Puerto Rico, using improvisation to process family memories and trace the wounds of colonialism.

Reassembled fragments of texts and vocalizations invite audiences into the immersive installations of these two artists.

Fashioning ersatz artifacts and museological displays, two artists dispense with individual authorship to inhabit the “speculative nature of history” with an eye on the future.

The director of The Rest I Make Up reflects on the life and companionship of María Irene Fornés.

Creating collaborative, environmental public art.