Collaboration

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Hive Mind: Rugilė Barzdžiukaitė, Vaiva Grainytė, and Lina Lapelytė Interviewed by Ivan Talijancic
Areal view of a theatrical installation of a beach. People in beach attire lay on towels surrounded by miscellaneous beach gear. Above the beach scene is a scaffolding from which viewers can watch the performance.

On the US debut of their theatrical installation Sun & Sea, an operatic beach scene exploring the relationship between people and our planet.

Hive Mind: Rugilė Barzdžiukaitė, Vaiva Grainytė, and Lina Lapelytė Interviewed by Ivan Talijancic
Areal view of a theatrical installation of a beach. People in beach attire lay on towels surrounded by miscellaneous beach gear. Above the beach scene is a scaffolding from which viewers can watch the performance.

On the US debut of their theatrical installation Sun & Sea, an operatic beach scene exploring the relationship between people and our planet.

Katiana Rangel by Lori Goldston
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Entwining Histories and Futures: Shahzia Sikander and Du Yun Interviewed by Allie Tepper
A man sits on a bench in a darkened gallery space in front of a colorfully abstract video titled, installation view of Parallax, 2013, in Shahzia Sikander: Weeping Willows, Liquid Tongues at Sean Kelly

The artist and composer discuss their collaborative process.

Redefining Architecture: Nancy Nowacek Interviewed by Louis Bury
A large concrete circle in a grassy field titled, ​Sometimes the Clouds Come Back this Way, by Nancy Nowacek

A multidisciplinary artist talks about collaborative work.

The Extreme and the Elemental by Beth Bachmann & Nick Flynn
Scratched out markings

A collaborative piece on the elements.

Projecting Desires: Sarah Gerard Interviewed by Elle Nash
Cover of True Love by Sarah Gerard

The writer on her new novel, creative partnerships, sex as communication, and tending to old drafts.

The Journey of Getting Close to a Thing: Martin Beck Interviewed by Isabel Parkes
An installation view of twenty-four black-and-white drawings of text on paper mounted on the wall titled, Martin Beck: I wish it would never get dark

The artist talks about subcultures, collecting, and collaboration.

Thalia Field and Abigail Lang’s Leave to Remain by Shelly Oria & Nelly Reifler
Book cover of Leave to Remain Legends of Janus by authors Thalia Field and Abigail Lang

At the heart of Leave to Remain is the two authors, who, like Janus, share two faces and a mind that begins as two but comes to function as one,.

The Art of the Word: Patty Larkin Interviewed by Yvonne Conza
Black and white portrait of Patty Larkin in a floral jacket and holding an electric guitar in front of a microphone

On writing music to the poems of Nick Flynn, Marie Howe, Natalie Diaz, and others.

Tyshawn Sorey by Claire Chase
Tyshawn Sorey Composer Portrait Miller Theatre 336 Bw

The composer and percussionist’s Autoschediasms language invites collaborative composition between a conductor and musicians by employing a lexicon of gestures and textual cues.

Finding a Common Language: Jenny Brockmann Interviewed by Danni Shen
Jenny Brockmann1

An entanglement with various modes of knowledge production.

Jessica Grindstaff of Phantom Limb by Sophie Hunter
Falling546 Copy

The final part of a performance trilogy on climate change, Falling Out fuses puppetry, Butoh, and Flex, to reflect on the Fukushima Daiichi nuclear disaster.

Lauren Bon and Oscar Tuazon
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The social practice works of Bon and Tuazon take the form of functional interventions to address and educate about California’s water crisis.

Jaque Fragua and Brad Kahlhamer
Bk The Four Hairs 2012 5 1

Two artists drawing from punk, graffiti, and traditional Native American aesthetics, talk about protest art and the notion of the “Post-Smithsonian delinquent.”

Trigger by Shelly Oria & Nelly Reifler

You are a color-blind social worker in a small town and your secret is you stopped giving a fuck. A man you loved more than you knew was possible has left you, but so what, right?

Las Nietas de Nonó by Pepón Osorio
Bb10 Las Nietas De Nono 30

Sisters Lydela and Michel Nonó conduct performative interventions at their art space/home in Puerto Rico, using improvisation to process family memories and trace the wounds of colonialism.

Issue #145: Ann Hamilton and Audra Wolowiec
The Theater Is A Blank Page 078 Cmyk

Reassembled fragments of texts and vocalizations invite audiences into the immersive installations of these two artists.

Marcos Castro and Baris Gokturk by Sabine Russ
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Fashioning ersatz artifacts and museological displays, two artists dispense with individual authorship to inhabit the “speculative nature of history” with an eye on the future.

In a Dark Time the Eye Begins to See: Michelle Memran Interviewed by Alix Lambert
2  Maria Irene Fornes And Filmmaker Michelle Memran In Havana Cuba 2004 Photo By Alison Forbes

The director of The Rest I Make Up reflects on the life and companionship of María Irene Fornés.

Culture and Place: Juanli Carrión Interviewed by Louis Bury
Juanli Carrion1

Creating collaborative, environmental public art.

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