Collaboration

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Issue #146: Jaque Fragua and Brad Kahlhamer
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Two artists drawing from punk, graffiti, and traditional Native American aesthetics, talk about protest art and the notion of the “Post-Smithsonian delinquent.”

Trigger by Shelly Oria & Nelly Reifler

You are a color-blind social worker in a small town and your secret is you stopped giving a fuck. A man you loved more than you knew was possible has left you, but so what, right?

Las Nietas de Nonó by Pepón Osorio
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Sisters Lydela and Michel Nonó conduct performative interventions at their art space/home in Puerto Rico, using improvisation to process family memories and trace the wounds of colonialism.

Issue #145: Ann Hamilton and Audra Wolowiec
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Reassembled fragments of texts and vocalizations invite audiences into the immersive installations of these two artists.

Marcos Castro and Baris Gokturk by Sabine Russ
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Fashioning ersatz artifacts and museological displays, two artists dispense with individual authorship to inhabit the “speculative nature of history” with an eye on the future.

In a Dark Time the Eye Begins to See: Michelle Memran Interviewed by Alix Lambert
2  Maria Irene Fornes And Filmmaker Michelle Memran In Havana Cuba 2004 Photo By Alison Forbes

The director of The Rest I Make Up reflects on the life and companionship of María Irene Fornés.

Culture and Place: Juanli Carrión Interviewed by Louis Bury
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Creating collaborative, environmental public art.

Touching As Loss: Jamieson Webster and Marcus Coelen Interviewed by Monica Uszerowicz
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An art exhibition responds to a psychoanalytic text.

Masks That Conceal and Reveal: Maxwell Deter Interviewed by Naomi Falk
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An artist’s collaboration with musicians.

Shahryar Nashat and Adam Linder by Aram Moshayedi
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An artist and a choreographer challenge the term collaboration, which they see as an approach rather than an outcome or frame of interpretation. 

Elaborate Intuition: Bergsonist Interviewed by Greg Zifcak
Credits Greg Zifcak

The inventive electronic musician discusses collaboration, method, and digital distribution.

Introductions by Kate Zambreno
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A collaboration between B. Ingrid Olson and Kate Zambreno.

Hank Willis Thomas and Kambui Olujimi
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From Super PAC to supernova, two artists view photographs through the lens of time, and time through the lens of colonialism.

Making Connections: Joanna Kotze and Jonathan Allen Interviewed by Zachary Fabri
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A choreographer and a visual artist imagine ways of inhabiting civic spaces.

Portfolio by William Wolfgang Wunderbar
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WWW highly enjoys collaborations and co-creation and is currently involved in the project Perfect Users: a remix group that reflects on using-in-general and digital anthropology (or not).

Just Keep Running: A Conversation with Tongo Eisen-Martin by Jeffrey Grunthaner
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The poet on prison writing, collective art-making, Bay-area resistance, and being read in a thousand years.

14 Person Poem by Jeff Dolven
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Incorporating poems by Maureen McLane, Dorothea von Moltke, Geoffrey Nutter, Rowan Ricardo Phillips, Sal Randolph, Mónica de la Torre, and Monica Youn

One Poem by She Who Has No Master(s)
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from The Manhattan Project by László Krasznahorkai
614922369 03272017 Laszlo Krasznahorkai Ornan Rotem Bomb 01

I sat at the bar of the Zwiebelfisch in Berlin together with David Bell, the renowned Kant scholar; it happened to be one of his regular haunts and it was the only spot where we could have an undisturbed meeting whenever he was in Berlin.

Alan Reid’s Warm Equations by Ted Dodson
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The basic conceit of Warm Equations is that a book can abstract the space of conversation typically delimited in front of paintings, that the thematics of a painter’s practice, in this case Alan Reid’s, can be constellated through a chorus of related texts.

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