Honing sensory experience and collective mindfulness.

The twenty-one-year veteran of Paul Taylor Dance Company on creating access for young dancers.

Discipline, resistance, and care flow through the performance artist’s work.

The recent conclusion of the choreographer’s trilogy, Water Will (in Melody), employs mime, gothic imagery, and a Grimm tale, to consider entanglements of nature, the feminine, and blackness.

The choreographer explores movement through the vocabulary of others.

The emerging playwright takes on beauty standards and societal expectations.

Performance and community. 

Thinking the politics of race in contemporary dance. 

The choreographer explodes memory and explores the multiple.

Visually notating dance.

On the release of Al Di Là, a collection of her sound works, Forti guides us through her decades-long practice of observation, intuition, and kinaesthetic awareness.

Available Light returns to New York.

A taste of what’s to come at Manhattan’s new space for multidisciplinary programming.

Featuring selections by Bethany Ides, Isaac Pool, Charles Bernstein, Matthew Weinstein, Ivan Talijancic, and more.

The art and science of the costume.

Tracing the lineage of feminism and social justice in postmodern dance.

The celebrated choreographer of Bronx Gothic explores the embodiment of psychic space, the nature of memory, and who gets to write history.

The artist and composer stages her latest entanglement of bodies, spaces, and sounds at the Biennale de Montréal this October.

Otherness is always such a big part of my work. Formally, I don’t fit any specific niche in performance. Some works, like this one, are theater that use dance. Some are more dance heavy, or maybe only dance if I’m making ballet.

Choreographer Kim Brandt strips away excess in her search for a “body of bodies.”