Choreography
Featuring selections by Bethany Ides, Isaac Pool, Charles Bernstein, Matthew Weinstein, Ivan Talijancic, and more.
The art and science of the costume.
Tracing the lineage of feminism and social justice in postmodern dance.
The celebrated choreographer of Bronx Gothic explores the embodiment of psychic space, the nature of memory, and who gets to write history.
The artist and composer stages her latest entanglement of bodies, spaces, and sounds at the Biennale de Montréal this October.
Otherness is always such a big part of my work. Formally, I don’t fit any specific niche in performance. Some works, like this one, are theater that use dance. Some are more dance heavy, or maybe only dance if I’m making ballet.
Choreographer Kim Brandt strips away excess in her search for a “body of bodies.”
An interest in disobedient bodies notwithstanding, for Moriah Evans dance emerges through rigorous choreographic structures. Her most recent piece, Social Dance, was presented at ISSUE Project Room earlier this year.
The choreographer on his early work with Merce Cunningham and collaborations with visual artists.
Choreographer Jen Rosenblit interrogates the curiosity for difference inside a regime of the “natural.”
The historical, physical, and poetic forces that shape Ring’s triptych, Forgetful Snow.
The historical, physical, and poetic forces that shape Ring’s triptych, Forgetful Snow.
“We wanted to make a sea of flesh. But it was impossible. Throughout the process we had to reveal the personality of each performer to be able to get to the sea of flesh.”
Choreographer Maria Hassabi and dramaturg Scott Lyall discuss the importance of space and boundaries in designing their newest dance work Premiere.
The Art Residency was filmed this past summer during performance artist Rebecca Patek”s weeklong residency at Earthdance.
I’m sitting in the BAM Opera House among the rustling of bodies settling into their seats when the lights suddenly cut out.
Emily Hoffman on the broken patterns in William Forsythe’s Sider, a work that conjures and contends with Elizabethan tragedy.
Mariana Valencia on her sculptural arrangements of bodies and objects, teenagers in parking lots, and Bushwick sunsets.
The artist discusses abstract games, the dangers of Relational Aesthetics and Portnoy’s recent participatory work 27 Gnosis.
