Choreography

The recent conclusion of the choreographer’s trilogy, Water Will (in Melody), employs mime, gothic imagery, and a Grimm tale, to consider entanglements of nature, the feminine, and blackness.

On the release of Al Di Là, a collection of her sound works, Forti guides us through her decades-long practice of observation, intuition, and kinaesthetic awareness.

Featuring selections by Bethany Ides, Isaac Pool, Charles Bernstein, Matthew Weinstein, Ivan Talijancic, and more.

The celebrated choreographer of Bronx Gothic explores the embodiment of psychic space, the nature of memory, and who gets to write history.

The artist and composer stages her latest entanglement of bodies, spaces, and sounds at the Biennale de Montréal this October.
Otherness is always such a big part of my work. Formally, I don’t fit any specific niche in performance. Some works, like this one, are theater that use dance. Some are more dance heavy, or maybe only dance if I’m making ballet.