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Studio Visit: Landon Metz by Osman Can Yerebakan

Paint as performance.

Studio Visit: Landon Metz by Osman Can Yerebakan

Paint as performance.

The Total System by Andrew Durbin
John Cage Diary Bomb 1

On John Cage’s Diary: How to Improve the World (You Will Only Make Matters Worse)

Dodie Bellamy by David Buuck
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The author of Cunt Norton and the forthcoming TV Sutras on how to mess with the poetry canon.

Enrique Vila-Matas (en español) by Lina Meruane
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Read the Original Spanish language text de esta conversation.

Enrique Vila-Matas by Lina Meruane
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Enrique Vila-Matas’s characters include James Joyce, F. Scott Fitzgerald, Ernest Hemingway, Paul Auster, and even Enrique Vila-Matas. The Catalan author talks with Meruane about his distinct method of interlacing reading, writing, fact, and fiction.

September 11, 2001 (Please Stop Saying 9/11) by Nick Stillman
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Nick Stillman points to Christopher Saucedo’s September 11, 2001 (Please Stop Saying 9/11) as an example of artistic retrospective through portraiture and branding.

Abandon Normal Instruments by Deb Olin Unferth

Inspired by a card in Brian Eno and Peter Schmidt’s 1975 deck of cards titled Oblique Strategies: Over One Hundred Worthwhile Dilemmas.

Jorge Macchi by Edgardo Rudnitzky
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“I’m absolutely against categorizations. Their function is to tranquilize the spectator.”

Tacita Dean by Jeffrey Eugenides
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I agree with the French. “Tacita Dean. Formidable!” She is an overpowering force and I cower before her in admiration.

Jørgen Leth by Anne Mette Lundtofte
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Jørgen Leth has always lived by his own rules—he’s a poet, a journalist, a filmmaker and a sports commentator, as well as Denmark’s Honorary Consul in Haiti. 

Alexander Liberman by Marshall Blonsky
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Sculptor and painter Alexander Liberman worked as Editorial Director of Condé Nast at a time when fashion magazines were more closely tied in with the art world than ever.

Georgia Marsh by Betsy Sussler

Finding pleasure in the color and order of the grid, painter Georgia Marsh speaks with Betsy Sussler about art as a means of description and finding rhythm in the world around us.

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