
Ceramics

The musician delves into the sonic properties and generative caprice of resonating bowls of water and melting blocks of ice—instruments that propel her latest album, Musique Hydromantique.

Cherubini describes her lush, material-based approach to clay and glaze as “baroque minimalism.” Braman visited Cherubini’s Brooklyn Navy Yard studio as she prepared for her fall exhibition at the Pérez Art Museum Miami.

Mary Carlson takes inspiration from religious iconography, demons, and snakes in her latest exhibition, Beautiful Beast.

Jessica Jackson Hutchins’ sculptures reference the human body in all of its dumb charm and joyful habits. With Horodner she reflects on Levinas, contingency and Chinese scholars’ rocks.

“I like to work very hard,” Theaster Gates remarks in the following conversation, which just might be the understatement of the year.

Recognition as a visual artist—or, as he prefers, “a maker of things”—came late to Stanley Greaves. Until 1994 he was little known outside Guyana, where he was born in 1934, and Barbados, where he moved to live in 1987.

Katy Schimert’s wall of sea flowers, intricately folded from simple masking tape, offer themselves as a gift from an artist whose body of work is as complex as it is elusive.

Jeff Perrone chats with friend Roberto Juarez about his multi-paneled Indian-inspired ceramic and canvas paintings, and his struggle to find a niche as an “exotic structuralist” in the art world.
