At the heart of Olivier’s sculptural inquiry is the fate of our existing and future monuments. How can they teach, and change us?
Imaging bodies in contested landscapes.
Celebrating little-known stories of Black pride and resilience in London’s West Indian community.
Last spring, inspired by Édouard Glissant’s theory of mondialité, I created an experimental performance salon at The Kitchen, featuring sound stories with an attitude of globality and an improvised/ambient/chanting vibe.
The writer on her new novel, how Dominicans have shaped New York City’s culture, and creating artistic spaces that are truly liberating.
Layering histories and identity.
Summoning the spirits.
Concerned primarily with Puerto Rico and the Caribbean, where she lives and works, her works defy categorization or any simple read. Rather, they are rich entanglements of place, history, and time.
Ward’s Jamaican roots and home in Harlem have been recurring themes in his numerous installations. He speaks with Jaffe about three key works.
Amid recollections of a joint trip to Haiti, photographer Deana Lawson and painter Henry Taylor parse the art of portraiture in each of their different mediums.
Ryan Sheldon discusses the eclectic range of reggae films presented in BAMcinématek’s Do the Reggae series.
Artists Madeleine Hunt-Ehrlich and Jacqueline Hoang Nguyen unpack the politics of the creative process.
The stories of Tiphanie Yanique’s debut collection How To Escape From A Leper Colony hold no fear. Centered on life in the US Virgin Islands, they seem ready for the generic lexicon of lazy reviewers. BOMBlog’s intrepid Jack Palmer spoke with Yanique about the fallacy of that vocabulary and the lessons available in literature.
The crucible of the Caribbean islands, where Christians, Hindus, Muslims, and Jews coexist, is the primary setting of Tiphanie Yanique’s triumphant debut collection.
If Marvel Comics had gotten around to it, Oscar Wao would have been a hero. As it is, Junot Díaz stepped in and made him one first.
The stories the Cuban writer and ethnographer Lydia Cabrera collected in the legendary Afro-Cuban Tales take place “back in the days when animals could speak, when they were all good friends and when men and animals got along fine.”
Where sacred slams into secular, you’ll find the sequined banners of Haiti.