Borderlands

11 Articles
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Sherwin Bitsui by Joy Harjo
Bitsui

Navajo language, photography, and the shifting landscape of the Southwest guide the poet’s latest collection, Dissolve.

J.P. Sniadecki by Nicolás Pereda
A Shape Of Things To Come Still 1 167 1 Cmyk

On occasion of Sniadecki’s current project, A Shape of Things to Come, the two filmmakers trade insights on “sensorial cinema” and working with reclusive desert-dwelling subjects.

Postcommodity by Rob Goyanes
Postcommodity Bomb 5

“Moving bodies generate this system. They create, supposedly, some justification to play this market out.”

Frayed at the Edges by Paula Kupfer
Adam Golfer Bomb 1

Border crossings in recent photobooks by Adam Golfer, John Radcliffe Studio, and Paul Turounet

Edmundo Paz-Soldán by Scott Esposito
Pas Soladan Bomb 3

“Breaking away from magical realism ended up creating another stereotype: that of a generation obsessed with mass media, new technologies, and disdainful of politics.”

Lukas Marxt by Julian Ross
Marxt 1

Landscape, video, and the Anthropocene.

Alberto Ríos by Yezmin Villarreal
Mariposa Port Nogales

“A weight carried by two, weighs only half as much.”

From Slight Disturbances by Charles Mary Kubricht
107 Mary13 Body

Several historical moments, technological stages of development, and political agendas converge at Mount Livermore, which is located 50 miles from the US–Mexico border in far West Texas.

House by Karen Walker Thompson

BOMB’s 2007 Fiction Prize Winner, selected by judge Amy Hempel.

Jorge Hernandez by Josh Kun
Hernandez01 Body

“Our position has always been that we tell the stories of what happens in the real world so that people can have outlets in song and won’t act that way in real life.”

The Border Project: San Diego/Tijuana by Krzysztof Wodiczko

Projection project, featuring projected images in both San Diego and Tijuana, The Border Project: San Diego/Tijuana by Krzysztof Wodiczko. This article is only available in print.

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