Black-And-White Photography

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Portfolio by Sam Contis
Sam Contis 01

Contis explores the construction of myth, place, and masculine identity in the enduring imagery of the American West.

Portfolio by Jungjin Lee
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From Unnamed Road, 2010–15, a series of photographs taken in Israel and Palestine.

Kevin Kline and Bruce Schultz by Zachary Lazar
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Perhaps nowhere in the world is the line between beauty and kitsch finer than it is in New Orleans.

Jeanne Moutoussamy-Ashe by Kalia Brooks
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“We have to tell the truth in the image.”

Adger Cowans by Carrie Mae Weems
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“Photographers and artists are alchemists at the highest level, I think.”

No. XXXXXXXXXX by Ramiro Chaves

No. XXXXXXXXXX is a personal atlas of the ways in which the letter X has been used in contemporary Mexican architecture.

Teju Cole by Aleksandar Hemon
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“Yes, I believe in life online, the way a person in 1910 might believe in aviation, or a person in 1455 might believe in movable type: with excitement and apprehension.”

Under Your Bootsoles by Geoffrey Hilsabeck
Grand Canyon

A poignant vision of our country from the great American photographer Edward Weston is on view now at the Museum of Fine Arts, Boston.

Four Photographers by Allen Frame
First proof cover
Four Works by Valérie Belin

This First Proof contains a portfolio of four works by Valérie Belin.

Carter at Salon 94 Freemans by John Beeson
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Carrie Mae Weems by Dawoud Bey
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In 1976 I had been making photographs for a couple of years. I had certainly been looking at a lot more photographs than I had actually made. 

Lines for Olivia by Zachary T Cotler
Clare Stephenson

She calls the cold, nine-second ladder
in her spine amber/elektron.

Chris Marker: Staring Back by Lucy Raven
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“In another time I guess I would have been content with filming girls and cats. 

Four Photographs by Juan Rulfo
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Rulfo is renowned for his fictional accounts of campesinos living in the wake of the Mexican Revolution, and although he published only a few books in his lifetime, he received Mexico’s National Prize for Literature in 1970 and Spain’s Premio Cervantes in 1985.

Tod Papageorge by Richard B. Woodward
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On the occasion of Tod Papageorge’s “The Acropolis” series in Picture Magazine, we revisit his photographs of Central Park in the ’70s and his friendship with Garry Winogrand.

Phillip Lopate and Vincent Katz’s Rudy Burckhardt by Rackstraw Downes
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This is a handsome book about the self-taught filmmaker and photographer Rudy Burckhardt, who was also a painter and a writer and, from the 1930s to the 1990s, the well-known photo-chronicler of New York artists and their studios.

James Welling by Devon Golden
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In spite of his six-foot-plus height, you might easily overlook James Welling in a crowded room. With his shaggy gray hair and tortoiseshell glasses, he looks every bit the UCLA tenured professor that he is. 

Juan Carlos Alom by Lucy Raven
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On a recent trip to Cuba I visited the studio of photographer and filmmaker Juan Carlos Alom in the small beach village of Cojimar, outside Havana.

Wave Music by Clifford Ross
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Photographer Clifford Ross writes about his Wave Music project—the methods and equipment he uses as well as the philosophical underpinnings driving his work.

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