The choreographer explores movement through the vocabulary of others.
On writing about performance and relationship paradigms.
A taste of what’s to come at Manhattan’s new space for multidisciplinary programming.
The Indiana-based producer composes intricate music from a blank slate, but her inspirations range from Nina Simone to discrete mathematics.
Noir, Balanchine, and an escape from the conventional novel.
Brendan Fernandes discusses dance, architecture, and identity with the curators of his current New York show.
Jillian Peña on the fantasy of ballet, queer temporality, and doubling in her new performance Polly Pocket.
Two recent interpretations of The Rite of Spring challenge the audience in new ways.
Emily Hoffman on the broken patterns in William Forsythe’s Sider, a work that conjures and contends with Elizabethan tragedy.
The artist on performing motherhood and marriage in her new video The Breath We Took and why “write what you know” is limiting advice.
Excerpts from a discussion between Philip Szporer and Ballet Maribor Artistic Director and Choreographer Edward Clug on Radio and Juliet and the state of ballet in Slovenia.
The purest paradigm of the Balanchine dancer, Suzanne Farrell relished performing boldly and off-balance, and the great choreographer created or reworked one masterpiece after another for her…