On stage and in the studio, Kwak (aka Xina Xurner) summons bodies, objects, and energies that flourish at the “seams of the illusions of fixed identity.”
Wry installations and revelatory sculptures blend art-making and activism in Chin’s unique practice of transformation.
“Our position has always been that we tell the stories of what happens in the real world so that people can have outlets in song and won’t act that way in real life.”
The eyes of the Iranian Ministry of Security’s London office chief were green. Nariman, being 13 years old, didn’t trust those eyes.