Artworld
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On visual art as a tool to write about narrative, creating different kinds of time, and juggling complicated realities.
On visual art as a tool to write about narrative, creating different kinds of time, and juggling complicated realities.
On the heels of a theatrical run of Price’s evolving film Redistribution, the two artists discuss the ethics of streaming, artworks on the verge of falling apart, SoundCloud mixes, and the chaos of assigning cultural value in the twenty-first century.
The novelist on the enduring AIDS crisis, the resonance of the Lost Generation, and writing her way around questions.
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