Art Market
I meet the artist, who does x, for a snack one afternoon. We have the kind of conversation it was more necessary to have previous to the existence of the Internet. We exchange general info about the world.
“I don’t consider anything about my writing to be natural.”
Art and exchange in extraterritorial territories
Early film, nineteenth-century science fiction, and experimental musical languages serve a young artist’s explorations of race and our political present.
“I don’t want to mention names, but there are several black artists that would like to shoot me today because they weren’t in that show. Some of them are dead, but the ones that aren’t dead still give me a lot of bullshit every time I see them.”
Humor, commerce, and family play big roles in Ethridge’s conceptual photography.
Two interdisciplinary artists tackle the analogies between artistic, moral, and monetary value.
Of the various collected objects in Cameron Rowland’s studio—a fluorescent orange work coat, a bundle of street-sweeper bristles, several pot-medal badges—the most abundant are books.
It’s very tricky, if not kind of futile, to criticize the work of Merlin Carpenter; he does it for you before you’ve even had the chance, calling his art “crap political work.”
Meg Remy of US Girls talks to the former Sic Alp about anger, publicity, lyrics, and Roald Dahl.
Great to see you as always. A few questions came to me, typically after all was said and done. I thought I’d send them over while our very interesting conversation was still fresh in my mind.
Legacy Russell and Bibi Deitz explore the Venice Biennale, interviewing and photographing the audience along the way.
Still with limited access to travel abroad, the Internet, and other communications technologies, young Cuban artists continue to innovate using their surroundings and available materials.01
Appendix Project Space embraces change, progress, and unpredictability, breaking the traditional archetypes of the white-wall gallery space.
Monica Adame Davis reports on 19th Annual Outsider Art Fair, in New York this past weekend, a collection of vibrant, unique and remarkable work.
Quinlan’s photographs picture—literally—smoke and mirrors; Beshty makes photos without a camera. They meet on a New York Chinatown rooftop to discuss their work.
Kelly Devine Thomas on the stranger sides of Google, and the unlikely combination of Bernie Madoff and Mark Kostabi.
Kelly Devine Thomas reflects on her experiences in the art world, and the relationship between money and art.
Lena Valencia reviews Geoff Dyer’s Jeff in Venice, Death in Varanasi.