Art Market

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Artists on Writing: An Interview with Carroll Dunham by Matthew Weinstein
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“I don’t consider anything about my writing to be natural.”

National Disintegrations by Braden King
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Art and exchange in extraterritorial territories

Steffani Jemison by Ben Lerner
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Early film, nineteenth-century science fiction, and experimental musical languages serve a young artist’s explorations of race and our political present.

Peter Bradley by Steve Cannon, Quincy Troupe & Cannon Hersey
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“I don’t want to mention names, but there are several black artists that would like to shoot me today because they weren’t in that show. Some of them are dead, but the ones that aren’t dead still give me a lot of bullshit every time I see them.”

Roe Ethridge by Tim Griffin
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Humor, commerce, and family play big roles in Ethridge’s conceptual photography.

Angie Keefer and Liz Magic Laser by Liz Magic Laser
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Two interdisciplinary artists tackle the analogies between artistic, moral, and monetary value.

Cameron Rowland by Ian Edward Wallace
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Of the various collected objects in Cameron Rowland’s studio—a fluorescent orange work coat, a bundle of street-sweeper bristles, several pot-medal badges—the most abundant are books. 

Institutional Collusion: Merlin Carpenter and Cologne’s “Non-Productive Attitude” by David Everitt Howe

It’s very tricky, if not kind of futile, to criticize the work of Merlin Carpenter; he does it for you before you’ve even had the chance, calling his art “crap political work.”

Peacers by Meg Remy
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Meg Remy of US Girls talks to the former Sic Alp about anger, publicity, lyrics, and Roald Dahl.

Michael M. Bilandic by Gary M. Kramer
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The art world, horror rap, and Delaware.

BOMB Specific: Dear David: An Exchange by David Geers & Peter Rostovsky
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Great to see you as always. A few questions came to me, typically after all was said and done. I thought I’d send them over while our very interesting conversation was still fresh in my mind.

Faces of the Biennale by Legacy Russell & Bibi Deitz
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Legacy Russell and Bibi Deitz explore the Venice Biennale, interviewing and photographing the audience along the way.

Vale La Pena: The 11th Havana Biennial by Liz Munsell
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Still with limited access to travel abroad, the Internet, and other communications technologies, young Cuban artists continue to innovate using their surroundings and available materials.01

BOMB GLOBAL: Appendix Project Space by Mack McFarland
Appendix Project Space

Appendix Project Space embraces change, progress, and unpredictability, breaking the traditional archetypes of the white-wall gallery space.

Art Brut Confessional by Monica Adame Davis
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Monica Adame Davis reports on 19th Annual Outsider Art Fair, in New York this past weekend, a collection of vibrant, unique and remarkable work.

Walead Beshty & Eileen Quinlan
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Quinlan’s photographs picture—literally—smoke and mirrors; Beshty makes photos without a camera. They meet on a New York Chinatown rooftop to discuss their work.

Two Tales Two Cities by Lena Valencia

Lena Valencia reviews Geoff Dyer’s Jeff in Venice, Death in Varanasi.

Can’t Tell ‘Em Apart at All by Lena Valencia
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The film Warhol:Denied follows Joe Simon’s attempts to get his Andy Warhol self-portrait authenticated, raising questions of authorship and the definition of Art.

Elizabeth Murray by Jessica Hagedorn
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Elizabeth Murray and Jessica Hagedorn discuss ordinary objects, domestic novels, and what it means to be feminist.

Gary Stephan  by Georgia Marsh
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Gary Stephan aims for a middle ground between “the joke” and “the big deal” with the template-like forms in his paintings.

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