Art

58 Articles
Sorted by
Maren Hassinger by Lowery Stokes Sims
Hassinger High Noon 2

“Right, they weren’t paintings, they weren’t colorful, but I kept doing them because that’s what would come to me. I could have stopped, I suppose, but to me they seemed like good pieces and they were in line with my thinking. Artists do what they think is important to them in their life span. That’s what they’ve always done—Rembrandt or Van Gogh or Picasso. They did what they did because they thought it was important.”

Tauba Auerbach and Sam Hillmer
7 Auerbach

Before the premiere of their multimedia collaboration LIGATURE, visual artist Auerbach and saxophonist Hillmer talk about connectivity, geometry, and the nature of mind.

Nothing Is Ever Wrong: Chelsea Hodson by Alex Zafiris
Danielshea1

The writer on surrendering, working through her avoidance, and using her body as an anchor. 

Introductions by Kate Zambreno
Ingrid1

A collaboration between B. Ingrid Olson and Kate Zambreno.

Graham Lambkin by Matt Krefting
Phqnrezjxvyfgvx8Omdc

Childhood memories, dinosaurs, ghosts, and “other vaguely aquatic forms intermingling.”

Silence and Silencing by Alejandro Zambra
Violeta

Poet and novelist Alejandro Zambra reflects on artist Cristóbal Lehyt’s use of a Chilean song lyric and its powerful associations.

Elana Herzog by Brenda Coultas
Herzog 1

The making and tearing away of wholes. Dissolving the made or not yet made, we find ourselves in this place, a loft in the old-school fashion. 

Kai Althoff by David Grubbs
Althoff 2001 849

Althoff engages multiple art modes—from painting to making music, as a band member of Workshop and under the pseudonym Fanal.

Florian Hecker by Ben Vida
Hecker 6

I first became aware of Florian Hecker’s sound work through his CD Acid in the Style of David Tudor

Richard Butler by Lyle Rexer
Noisy Mouth

Painter (and Psychedelic Furs frontman) Richard Butler on Warhol, passing ‘the bedroom test” and why his daughter is his muse.

Eli Keszler by Michael Barron
Eli Keszler

Eli Kezler on endless installations, raw composition, and the spatial limitations of large-scale art.

Two Poems by Danniel Schoonebeek
Marshall1Web Body

DEBUT

The suit I wore the day I was born

Four Poems by Brandon Shimoda & Lydia Anne McCarthy
Lmccarthy Body

SHIJO-OHASHI

Without forgetting
I am a child

Four Poems by Michael Earl Craig
Mended Spiderweb  19  Laundry Line  Body

The Evening News

I wake up to the sound of a bird,
a bird that has smacked into

Space Age New Music Weekend by Nick Hallett
Tyondai Braxton

David Behrman, Tyondai Braxton, and Karlheinz Stockhausen took New York City by storm last weekend. Nick Hallett celebrates their interwoven histories and relationship to the cosmos.

Rhythm and Blues: Tomashi Jackson by Cora Fisher
Bomb Blog Image 6 Body

Artist Tomashi Jackson explores the rhythms of labor and the poetic vernacular of popular culture and visuality in America.

Gordon Monahan’s Seeing Sound: Sound Art, Performance, and Music, 1978–2011 by Nicolas Collins
Gordon Monhan 1

Gordon Monahan’s book, Seeing Sound, is a trilingual, experimental text which presents his catalog of work dating from 1978 to 2011.

Ralph Lemon by James Hannaham
Lemon 10 Body

“The reason I am writing fiction is so that I can tell the truth from a vantage point that allows me some space.”

Wayne Koestenbaum by Kenneth Goldsmith
I Pose Problems Body

“I couldn’t have gone to Woodstock because I’m not fit to be a nudist.”

New Bodies: Pieter Schoolwerth by Andrew Cappetta
Pieter Schoolwerth 01 Bomb

Pieter Schoolwerth makes music with his paintings, gets Wierd with his art.

No more results to load.
Nothing found—try broadening your search.