Art

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Graham Lambkin by Matt Krefting
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Childhood memories, dinosaurs, ghosts, and “other vaguely aquatic forms intermingling.”

Silence and Silencing by Alejandro Zambra
Violeta

Poet and novelist Alejandro Zambra reflects on artist Cristóbal Lehyt’s use of a Chilean song lyric and its powerful associations.

Elana Herzog by Brenda Coultas
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The making and tearing away of wholes. Dissolving the made or not yet made, we find ourselves in this place, a loft in the old-school fashion. 

Kai Althoff by David Grubbs
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Althoff engages multiple art modes—from painting to making music, as a band member of Workshop and under the pseudonym Fanal.

Florian Hecker by Ben Vida
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I first became aware of Florian Hecker’s sound work through his CD Acid in the Style of David Tudor

Richard Butler by Lyle Rexer
Noisy Mouth

Painter (and Psychedelic Furs frontman) Richard Butler on Warhol, passing ‘the bedroom test” and why his daughter is his muse.

Eli Keszler by Michael Barron
Eli Keszler

Eli Kezler on endless installations, raw composition, and the spatial limitations of large-scale art.

Two Poems by Danniel Schoonebeek
Marshall1Web Body

DEBUT

The suit I wore the day I was born

Four Poems by Brandon Shimoda & Lydia Anne McCarthy
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SHIJO-OHASHI

Without forgetting
I am a child

Four Poems by Michael Earl Craig
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The Evening News

I wake up to the sound of a bird,
a bird that has smacked into

Space Age New Music Weekend by Nick Hallett
Tyondai Braxton

David Behrman, Tyondai Braxton, and Karlheinz Stockhausen took New York City by storm last weekend. Nick Hallett celebrates their interwoven histories and relationship to the cosmos.

Rhythm and Blues: Tomashi Jackson by Cora Fisher
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Artist Tomashi Jackson explores the rhythms of labor and the poetic vernacular of popular culture and visuality in America.

Gordon Monahan’s Seeing Sound: Sound Art, Performance, and Music, 1978–2011 by Nicolas Collins
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Gordon Monahan’s book, Seeing Sound, is a trilingual, experimental text which presents his catalog of work dating from 1978 to 2011.

Ralph Lemon by James Hannaham
Lemon 10 Body

“The reason I am writing fiction is so that I can tell the truth from a vantage point that allows me some space.”

Wayne Koestenbaum by Kenneth Goldsmith
I Pose Problems Body

“I couldn’t have gone to Woodstock because I’m not fit to be a nudist.”

New Bodies: Pieter Schoolwerth by Andrew Cappetta
Pieter Schoolwerth 01 Bomb

Pieter Schoolwerth makes music with his paintings, gets Wierd with his art.

Circuits and Loops: Tom McCarthy & Margarita Gluzberg by Tom McCarthy & Margarita Gluzberg
Cons3 Smaller Body

Tom McCarthy and Margarita Gluzberg ask whether psychosis can ever be critical, whether matter can transmit, and what the word fiction finally means.

Jennifer Levonian by Nell McClister

Web Extra Video Artist and animator Jennifer Levonian’s work is Irreverent and articulate, and acknowledges that places, like nephews, don’t have to be perfect to be loved.

When We Eat The Way We Do It: Jen Rosenblit’s Last Supper at Bodega by Lauren Bakst
Table

Take a road trip to Philly’s Bodega gallery with a podcast of a performative lecture by—and interview with—choreographer Jen Rosenblit.

BOMB GLOBAL: Dan Nadel on Destroy All Monsters by Abeline Cohen
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Curator Dan Nadel speaks about Destroy All Monsters—the collective, the members, and their continuing relevance as “cool shit” it isn’t too late to learn about as part of the exhibition showing at L.A.’s PRISM.

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