Eduardo Williams’s debut feature takes us around the world on an ethnographic tour of labor, leisure, and logins.
Staging historical justice in Hernán Ronsino’s Glaxo
“I prefer the film to be independent of myself. If you and your film are the same, then why make films?”
On the evening of June 9, 1956, a group of men gathered in a basement apartment in Buenos Aires to listen to the broadcast of a boxing match.
Chris Cumming on Sergio Chejfec’s abstract and sometimes grotesque novel, The Planets.
Craig Hubert discusses two gems from the 2011 New York Film Festival: Invasion, an Argentine film with a controversial past, and Dreileben, three conjoined horror films from three different directors.