Architecture

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Contact Points: K.R.M. Mooney Interviewed by Maddie Klett
A small vertical white sculpture attached to the wall with a small square of cuttlebone inside it.

Sculpture that attends to its materials and surroundings.

Contact Points: K.R.M. Mooney Interviewed by Maddie Klett
A small vertical white sculpture attached to the wall with a small square of cuttlebone inside it.

Sculpture that attends to its materials and surroundings.

Matthew Soules’s Icebergs, Zombies, and the Ultra Thin: Architecture and Capitalism in the Twenty-First Century by Deborah Gans
An aerial view of 111 West 57th Street featuring an extremely tall, skinny building on the edge of Central Park.

Matthew Soules’s Icebergs, Zombies, and the Ultra Thin looks at how finance-driven architecture is disrupting cities “not through gentrification but rather through zombification.”

Permeable Containers: Leeza Meksin Interviewed by Wayne Koestenbaum
Two gray, pink, and purple outdoor sculptures that look like turrets or tents titled, Turret Tops, by Leeza Meskin

An outdoor sculpture project weathers the seasons.

Unattainable Models and Personal Utopias: Zuzanna Czebatul Interviewed by Isabel Parkes
Interior view of a white, gray, and beige swirling tile work floor titled, ​Vortex (New Day Coming), by Zuzanna Czebatul

Shaping space and architecture.

Meta-Instruments: Lea Bertucci and Noah Wall
Noah Wall And Lea Bertucci Album Covers Bomb Magazine

The sound artists discuss their recent site-specific projects and the revolutionary potential of reclaiming public space through sound.

Collapse and Equilibrium: Michelle Lopez Interviewed by Olivia Gauthier
Large sculpture featuring ladders, scaffolding, stones, wire, wood, and fencing titled, Ballast and Barricades, by Michelle Lopez

Translating protest into sculpture.

Stop Making Sense: Sara Magenheimer Interviewed by Nicole Kaack
sara magenheimer beige pursuit book cover published by wendys subway

The lossy poetics of Magenheimer’s video script-cum-publication embraces the split self of the information age.

Sound and Sculpture: Susan Philipsz Interviewed by James McAnally
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A foundational sound artist presents a career-spanning overview.

Artists As Mapmakers: Lena Henke Interviewed by Owen Duffy
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Sculpture that connects architecture and the body.

Broken On Purpose: Wolfgang Neumann Interviewed by Zach Davidson
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Sculpture made from shattered dishware.

Antoine Catala and Dan Graham
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The two artists discuss pleasure and participatory viewership in their work, and how each is linked to opposing qualities of discomfort and alienation.

Getting Well Together: NIC Kay Interviewed by Vanessa Thill
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Discipline, resistance, and care flow through the performance artist’s work.

Portfolio by Dawn Clements
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Dawn Clements (1958–2018) was an artist based in Brooklyn. Her paintings and drawings captured her immediate surroundings as well as architectural interiors from films.

Studio Visit: Damián Ortega by Osman Can Yerebakan
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The human element of architecture.

Domesticating Waves in the Netherlands by Stefan Helmreich
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Two years back, in the midst of anthropological research about the science and culture of wave monitoring and modeling in the Netherlands, I joined in an event called Waterwolf 2016, a flood preparedness exercise staged in the small municipality of Marken, just twenty kilometers outside Amsterdam. I

Three Angles (or Sometimes You Catch a Crocodile): El Anatsui and Dee Briggs Interviewed by Jessica Lanay
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The artists discuss a specially commissioned sculpture for the Carnegie International.

Mr. Vladimir Putin’s Photo with Women by Deb Sokolow
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An embarrassing incident at the Kremlin (from 2015? was it 2016?): in which women invited to an International Woman’s Day photo with Mr. Vladimir Putin arrive in high heels, much to the fear of Mr. Putin’s staff who are there to witness several tall women towering over the Russian Federation president.

Portfolio: Tuning by Torkwase Dyson
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These drawings are from a series of 210 on view at the Graham Foundation in Chicago as part of Torkwase Dyson and the Wynter-Wells School through July 28, 2018. 

Steven Holl: Making Architecture by Michael Brod
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An architect starts with watercolor.

Architecture as Metaphor: William Forsythe and Tino Sehgal at A Prelude to The Shed by Cory Nakasue
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A taste of what’s to come at Manhattan’s new space for multidisciplinary programming.

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