An architect starts with watercolor.

Mapping an architectural dreamspace.

Renee Gladman is the author of ten works of prose and poetry, most recently Calamities, a collection of essay-fictions. Her first monograph of drawings, Prose Architectures, was published by Wave Books in 2017. She lives in New England with the poet-ceremonialist Danielle Vogel.

Open floor plans are less open than we think—and ripe for intervention. Oppenheimer’s latest effort is on view at the Pérez Art Museum Miami.

This year’s Architectural League Prize for Young Architects & Designers convenes work that probes an “unstable environment.”

Buildings are big, expensive, and they have a tendency to stick around a long time. So what’s an artist who wants to disturb “the repressive architecture of bureaucracy and luxury” to do?

Visionary artist and poet Gyula Kosice on how he has tried to reconcile “the language of the diction” and “the language of form, volume, and the kinetic.”

Jesse Reiser and Nanako Umemoto have already produced a body of work that has exerted great influence on the practice of contemporary architecture.

“Jefferson and Monticello are mythic. A lot of the work that I’ve done is related to this search for origins, and Jefferson represents the origin of an American self-image.”

If you go to Rome and ask about Zaha Hadid’s plans for the new Centre for Contemporary Arts, people respond, “Yes, she’s got the commission, but will the building be built?” An architect’s worst nightmare? Probably.

I believe in architecture
It is not art
It is not event
It is not the city

“The piano speaks only of architecture, the violin speaks only of poetry.”