Reminding us of what should never have been forgotten
In advance of the next installment of his extensive history of New York City, Wallace expounds on the pivotal early years of the twentieth century.
Picture an area the size of Manhattan covered in sand. It rises and falls and disappears.
“I don’t want the kind of career where everything is sensible and safe; I’d rather suffer through the anxiety of wondering where I’m going next than suffer the boredom of dancing in the same safe square.”
Contis explores the construction of myth, place, and masculine identity in the enduring imagery of the American West.
Disaffected drifting in Erika Carter’s Lucky You
Life and death in a mining town in Kevin Canty’s The Underworld
Historical analogies between the Civil War period and our own time are plentiful in a conversation about the author’s much-anticipated first novel, Lincoln in the Bardo.
Sarah Gerard’s essay collection, Sunshine State, embodies Florida’s unpredictability in the best sense.
The prolific New York lyricist digs into songcraft on the occasion of his new autobiographical album, 50 Song Memoir.
Raoul Peck’s I Am Not Your Negro testifies that James Baldwin’s embattled America is still our own.
Two films tell the tragic story of reporter Christine Chubbuck’s on-air suicide in 1974.
Nicotine, the author’s third novel in as many years, dives into the world of East Coast anarchists.
This work by Jonathan Horowitz was produced as a poster for the Jewish Museum exhibition Take Me (I’m Yours), on view September 16, 2016–February 5, 2017.
“I think that creative improvisation music models the democratic principle. Heads of state and legislative bodies could learn a lot from this practice.”