Amelia Rina

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Cross-Disability Solidarity: Shannon Finnegan and Bojana Coklyat Interviewed by Amelia Rina
​Big text fills the cover: ALT-TEXT AS POETRY. Each letter is made of repeated round shapes. The cover is printed on a subdued green paper, the inside pages are a soft white color, and the whole book is bound with a plastic, forest green spiral coil.​​​

A project for resource sharing, discussion, and collaboration about creative approaches to image description.

Cross-Disability Solidarity: Shannon Finnegan and Bojana Coklyat Interviewed by Amelia Rina
​Big text fills the cover: ALT-TEXT AS POETRY. Each letter is made of repeated round shapes. The cover is printed on a subdued green paper, the inside pages are a soft white color, and the whole book is bound with a plastic, forest green spiral coil.​​​

A project for resource sharing, discussion, and collaboration about creative approaches to image description.

Studio Visit: Amy Bay by Amelia Rina
A close-up of a painting of vibrant flowers titled, Amy Bay studio

Luscious paintings of flowers and foliage.

Studio Visit: Bean Gilsdorf by Amelia Rina
Textile and photograph collages about a work table piled with supplies in an art studio.

Gorgeous and gaudy portraits of US royalty.

The Deliberate Rejection of Reality: Cara Levine Interviewed by Amelia Rina
This is Not a Gun Project

On the anti-racist anthology about forty items police officers mistook for guns.

Bram Büscher and Robert Fletcher’s The Conservation Revolution by Amelia Rina
Book cover of The Conservation Revolution by Bram Buscher

Capitalism is fundamentally unsustainable. In the spring of 2020, the world began experiencing this fact more acutely than ever, as humankind struggled to control the COVID-19 pandemic.

Christine Miller and Brittany Vega: American Hex Reviewed by Amelia Rina
Crumpled nylon flag with digital print of a hand and roses titled Horrible Moral Squint II by Brittany Vega

Acknowledging the past in order to construct a better future.

Agency and Transcendence: Naudline Pierre Interviewed by Amelia Rina
Naudline Pierre1

A painter seeks to expand the world’s visual library.

Putting Interiors on Exteriors: Chip Thomas Interviewed by Amelia Rina
Chip Thomas11

Wheatpasting portraits on the Navajo Nation.

Privacy and Visibility: Heather Dewey-Hagborg Interviewed by Amelia Rina
Dewey Hagborg1

Building a possible portrait of Chelsea Manning from DNA.

Digital Interface: Addie Wagenknecht’s Alone Together by Amelia Rina
Wagenknecht1

Painting with a Roomba and International Klein Blue.

History and Its Marks: Kahlil Robert Irving’s Streets:Chains:Cocktails by Amelia Rina
Irving1

Smashing high and low.

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