16Mm

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Metaphors on Vision by Stan Brakhage
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A letter from Brakhage to the poet Robert Kelly describing his work on the groundbreaking film Mothlight.

Vesuvius in Your Mind: On Joan Jonas’s Early Films by Mónica Savirón
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Uncovering the artist’s innovations and legacies.

Kevin Jerome Everson by Jordan Cronk
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“I don’t make films for the audience, I make them for the subjects, and I try to position those subjects and the camera so that there’s a element of generosity between the two.”

Steve McQueen’s Ashes by Claire Barliant
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Life and death juxtaposed

Embodied Absence by Claire Barliant
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Chilean protest art of the 1970s proves timely.

Abigail Child & Peter Bo Rappmund
Abigail Child & Peter Bo Rappmund

“Immaculate breakage! Elegant mobile! Yes! Yes! That’s it exactly!”

Alex Ross Perry by Anya Jaremko-Greenwold
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“This is not a movie that invites you to really empathize with these characters, nor is that the point.”

Elisabeth Subrin by Gary M. Kramer
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“All evidence is wrong. It’s distressed—just like memory.”

James N. Kienitz Wilkins by Michael Guarneri
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Documentary, reenactment, and comedic failures of democracy.

Charlotte Moth by Jennifer Burris
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Infinite configurations: collection, space, and story.

Ricardo Nicolayevsky by Luis Felipe Fabre
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It’s hard to pin down exactly what happens with Lost Portraits, an almost mythical series of Super 8 and 16mm shorts—filmed between 1982–85 in Mexico City and New York—depicting Nicolayevsky’s young friends and peers while he was a film student at NYU.

Raha Raissnia by Jeanne Liotta
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They say that stolen fruit is the sweetest.

Coleen Fitzgibbon by P. Adams Sitney
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In the early ’70s, Fitzgibbon made a series of radical films and then put them aside. P. Adams Sitney begins to unravel the story behind Fitzgibbon’s early, seductive flicker films to her latest iPhone movies.

Luther Price by Andrew Lampert
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Boston-based filmmaker Luther Price makes consciousness-puncturing works that, viewed once, may never be seen again.

Andrew Lampert by Ed Halter
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When Andrew Lampert performs his new piece Jacka Spades, he sits somewhere close to the front of a theater, operating a Super-8 projector in plain view of the audience.

“I MADE ART BECAUSE I DIDN’T WANT TO DIE” by Himali Singh Soin
Our City Dreams

An ode to being human and the need to express one’s self, Our City Dreams tells the story of the loves and the sufferings of five women who chose to move to New York City.

Holly Zausner by Josiah McElheny
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Josiah McElheny on how Holly Zausner’s videos explore the limitations of our physicality and “our struggle with the physical and psychic burdens of the body.”

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