New York Live Arts presents
There are actually two recordings here, made many months apart and then superimposed on one another.
I’ve always enjoyed touring in Japan, not only because of its music but also due to its cultural peculiarities and the unique urban landscapes and soundscapes it possesses.
I had the idea of making solo music that would incorporate all my weird stuff—all my various oddball rhythms, tics, repetitions, stims, and stutters—and use them as the basis of a new idiom for the guitar.
Recording artist John Fell Ryan is the leader of the improvisatory electronic rock group Excepter, producing dozens of releases for various labels.
Aakash Mittal is a performing artist and composer who employs colorful dissonance, meditative silence, and angular rhythm to express environments ranging from the American West to the streets of Kolkata.
On a crisp morning in March, we approach the site. It appears in the distance on the windswept beach just as the sand gives way to dunes. The ocean roars to our right.
Burn, burn offerings… the fire will purify your body and mind…
The Ness is a remote and isolated place, an uninhabited no-man’s-land, for decades occupied solely by the military for practicing the dark arts of war.
After being prompted to do field recording for this project, I went into nature, looking for novel sounds, and was surprised to find that, in the end, what really caught my attention were my most immediate surroundings—my home and practice space.
I’ve been working with the concept of remixing my own classical compositions for a number of years.
The piece develops as a process of observed phenomena. To start, I make some marks, improvise. Forms exist outside my direction. Black shadows, deep cracks. I document, combine, distort.