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Becoming Peter Ivers by Clinton Krute
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The life of mutant-pop songwriter Peter Ivers was really something.

Peter Brook and Marie-Hélène Estienne’s Why? by Maria Litvan
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“I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.”

Céline Sciamma’s Portrait of a Lady on Fire by Mark Lukenbill
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Portraits and hauntings are inseparable bedfellows in film history.

Kirsten Grimstad and Susan Rennie’s The New Woman’s Survival Catalog: A Woman-made Book by Carmen Hermo
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On the 1973 feminist publication that gathered collective and self-help resources into one big, beautiful book.

Elaine Kahn’s Romance or The End by Rob Goyanes
Romance Or The End

All loves—and all selves—are fictions. Though that doesn’t mean they aren’t true.

Lana Lin’s The Cancer Journals Revisited by Amber Power
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An interrogation of the ways in which the system of representation surrounding breast cancer can isolate, infantilize, and even erase the women it professes to help.

Glenn O’Brien’s Intelligence for Dummies by Jeremy Sigler
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A variety of texts by a writer who fancied himself a power broker.

Ritu Sarin & Tenzing Sonam’s The Sweet Requiem by Sabine Russ
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A film about departures, the kind without return.

Jack Briece’s Heterophonious Fool by Tyler Maxin
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This fall, Concentric Circles will press to vinyl Heterophonious Fool—composer Jack Briece’s sole commercially-released recording…

Natasha Stagg’s Sleeveless by Eugenie Dalland
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Stagg’s essays, stories, and profiles on art and fashion speak to the new spaces and meanings created by the Internet.

Ben Lerner’s The Topeka School by Ryan Meehan
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Reconciling a futurist aesthetic with a story of the past.

Joshua Abrams & Natural Information Society’s Mandatory Reality by Ben Vida
Photo By Charlie Gross

A perfect hybrid of minimalism and spiritual jazz.

Wioletta Greg’s Accommodations by Sean Gasper Bye
Wioletta Greg Bomb Magazine

A gritty portrait of city life in the Wild East.

Who Is Michael Jang? Reviewed by Stephen Hilger
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The artist’s first monograph makes a case for Jang’s place in twentieth-century photography nearly fifty years after he began making pictures…

Nyege Nyege Tapes by Simon Gabriel
Sounds Of Sisso

The first time I heard something on Nyege Nyege Tapes was on computer speakers. For once, the promotional blurb wasn’t hyperbolic …

Chavisa Woods’s 100 Times: A Memoir of Sexism by Mattilda Bernstein Sycamore
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Chavisa Woods tells a linear but fragmented personal story of growing up and coming of age in a misogynist culture

Arcana: A Stephen Jonas Reader by Ammiel Alcalay
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Long neglected poet Stephen Jonas created a complex web of self-mythologized identities to escape any form of categorization …

Angela Schanelec’s I Was at Home, But… by Anthony Hawley
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Much silence fills the exquisite visual tableaus in German filmmaker Angela Schanelec’s I Was at Home, But…

T.J. Demos’s Decolonizing Nature: Contemporary Art and the Politics of Ecology by Nich Hance McElroy
Decolonizing Nature

In a leafy courtyard at Cairo University, the philosopher Graham Harman explains that politics is just another object among a level field of objects …

Bauhaus Journal 1926–1931 by John Gendall
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The Bauhaus tends to be presented through the lens of its creative and intellectual diaspora.

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