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Camilo Restrepo’s Los Conductos by Clinton Krute
Still from Camilo Restrepo's Los Conductos

Camilo Restrepo’s debut feature, Los Conductos, traces the wanderings of a wiry mendigo named Pinky, in a sepulchral unnamed city.

Camilo Restrepo’s Los Conductos by Clinton Krute
Still from Camilo Restrepo's Los Conductos

Camilo Restrepo’s debut feature, Los Conductos, traces the wanderings of a wiry mendigo named Pinky, in a sepulchral unnamed city.

Ana Prvački’s Pandemic Trilogy by Regine Basha

Prvački releases three wry videos offering coping strategies for our bleak and awkward new social reality.

Syan Rose’s Our Work Is Everywhere: An Illustrated Oral History of Queer and Trans Resistance by Tim O’Leary
Our Work Is Everywhere cover

Syan Rose’s intimate conversations with a wide spectrum of queer and trans people coalesce with her art as she portrays the people she spoke with.

Candace Jane Opper’s Certain and Impossible Events by Ilana Masad
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Ulrike Meyer Stump’s Karl Blossfeldt: Variations by eteam
Karl Blossfeldt Contact Print Sheet P60

In the 1890s in Berlin, a young sculptor started going out collecting plants.

Maria Stepanova’s In Memory of Memory by Ali Hassani
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Somewhere in post-Soviet Moscow, the narrator of Maria Stepanova’s In Memory of Memory rummages through the apartment of her recently deceased aunt and comes across a collection of family photographs, some over a century old.

Nona Fernández’s The Twilight Zone by Anderson Tepper
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André Breton and Philippe Soupault’s The Magnetic Fields by Marko Gluhaich
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In 1919, André Breton and Philippe Soupault were coming of age in the wake of World War I and the Spanish influenza pandemic.

Black Unity Trio’s Al-Fatihah by Matthew Rivera
Black Unity Trio Front Cover High Res Copy

Reissued for the first time after fifty years, the Black Unity Trio’s rare and explosive free jazz album Al-Fatihah still resonates with the sounds of solidarity amid a scene of intense political struggle.

Artavazd Pelechian’s Nature by Nicholas Elliott
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Artavazd Pelechian’s Nature is not about the end of the world, but you could be forgiven for thinking otherwise.

Caroline Catz’s Delia Derbyshire: The Myths and the Legendary Tapes by Max Pearl
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TV shows and films about alternate dimensions or alien planets are only convincing when paired with sounds that also seem otherworldly.

Matt Keegan’s 1996 by Charity Coleman
Ip036 1996 Interior 01 Copy

A sleek but sensitive compendium of cultural production and politics three years in the making and spanning more than two decades.

Douglas Crimp’s Dance Dance Film Essays by Rosalyn Deutsche
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At some point in the late ’70s, when Douglas Crimp and I were art history doctoral students at the Graduate Center, CUNY, he invited me to the ballet.

Alex Balgiu and Mónica de la Torre’s Women in Concrete Poetry: 1959–1979 by Ted Dodson
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In the series of images, de Barros licks a typewriter’s keys, then its typebars, before becoming increasingly ensnared by the typewriter.

Josephine Decker’s Shirley by Lincoln Michel
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It’s rare for a short story to cause a ruckus, and Shirley Jackson’s “The Lottery” is one of the few exceptions.

Rainald Goetz’s Rave by Shivani Radhakrishnan
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“With my straight razor, I unmask the lie,” Rainald Goetz read at a literary prize competition in 1983. Then, Goetz picked up a blade and sliced open his forehead, nonchalant.

Ludwig Wittgenstein’s Word Book (Translated by Bettina Funcke) by Corina Copp
Alienating Bw

Tilda Swinton once said in an interview, referring to her collaborator Derek Jarman, director of Wittgenstein (1993): “He was the material of his own work.”

Lafawndah’s The Fifth Season by Lily Sperry
Lafawndah The Fifth Season Artwork By Marguerite Humeau

Lafawndah extends outward, drawing on the emotionally charged myths of N.K. Jemisin’s Broken Earth trilogy to guide her.

Vivian Vázquez Irizarry and Gretchen Hildebran’s Decade of Fire by Roya Marsh
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Decade of Fire is a remarkable tale of the Bronx’s rise from ash, standing to set the record straight about the fires that ravaged the borough in the late ’60s and ’70s.

Andrés Jaque and Ivan L. Munuera’s The Transscalar Architecture of COVID-19 by Alex Tell
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In mid-March, a still from the reality show Big Brother in Germany circulated on the Internet. It showed the contestants, who had been locked in a house together since early February, relaxing in a hot tub, blissfully unaware of the pandemic surging across the globe.

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