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Ritu Sarin & Tenzing Sonam’s The Sweet Requiem by Sabine Russ
The Sweet Requiem Film Still1

A film about departures, the kind without return.

Jack Briece’s Heterophonious Fool by Tyler Maxin
Jack Briece Bomb Magazine 149

This fall, Concentric Circles will press to vinyl Heterophonious Fool—composer Jack Briece’s sole commercially-released recording…

Natasha Stagg’s Sleeveless by Eugenie Dalland
Sleeveless Cover

Stagg’s essays, stories, and profiles on art and fashion speak to the new spaces and meanings created by the Internet.

Ben Lerner’s The Topeka School by Ryan Meehan
Topeka School Cover Bomb Magazine

Reconciling a futurist aesthetic with a story of the past.

Joshua Abrams & Natural Information Society’s Mandatory Reality by Ben Vida
Photo By Charlie Gross

A perfect hybrid of minimalism and spiritual jazz.

Wioletta Greg’s Accommodations by Sean Gasper Bye
Wioletta Greg Bomb Magazine

A gritty portrait of city life in the Wild East.

Who Is Michael Jang? Reviewed by Stephen Hilger
Michael Jang The Jangs Study Hall Hires

The artist’s first monograph makes a case for Jang’s place in twentieth-century photography nearly fifty years after he began making pictures…

Nyege Nyege Tapes by Simon Gabriel
Sounds Of Sisso

The first time I heard something on Nyege Nyege Tapes was on computer speakers. For once, the promotional blurb wasn’t hyperbolic …

Angela Schanelec’s I Was at Home, But… by Anthony Hawley
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Much silence fills the exquisite visual tableaus in German filmmaker Angela Schanelec’s I Was at Home, But…

Chavisa Woods’s 100 Times: A Memoir of Sexism by Mattilda Bernstein Sycamore
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Chavisa Woods tells a linear but fragmented personal story of growing up and coming of age in a misogynist culture

Arcana: A Stephen Jonas Reader by Ammiel Alcalay
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Long neglected poet Stephen Jonas created a complex web of self-mythologized identities to escape any form of categorization …

T.J. Demos’s Decolonizing Nature: Contemporary Art and the Politics of Ecology by Nich Hance McElroy
Decolonizing Nature

In a leafy courtyard at Cairo University, the philosopher Graham Harman explains that politics is just another object among a level field of objects …

Bauhaus Journal 1926–1931 by John Gendall
Bauhaus Mockup

The Bauhaus tends to be presented through the lens of its creative and intellectual diaspora.

Walks to the Paradise Garden by J.W. McCormack
Walks Through Paradise Garden

In a 1988 interview for the LA Times, self-taught artist Reverend Howard Finster explained his creative predicament …

Frederic Tuten’s My Young Life by Thomas Bolt
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My Young Life is a memoir of becoming…

Abbigail N. Rosewood’s If I Had Two Lives by Yasmin Roshanian
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In New York, everything sounds back to Vietnam…

Beatriz Colomina’s X-Ray Architecture by Ashley Simone
Lmp 978 3 03778 443 3 X Ray Cover Cmyk

The story is contagious and the imaging tells it…

Rest in Paradise, Jonas Mekas by Marianne Shaneen
Portrait By Boris Lehman
El Cine Quema: The Films of Raymundo Gleyzer by Will Noah
Traitors 1

The insurgent Argentine documentarian’s retrospective screens at Anthology Film Archives from February 22 through 28.

Christos Ikonomou’s Good Will Come From the Sea by Ellie Robins
Good Will Come Cover Final2

A pose recurs in Christos Ikonomou’s Good Will Come From the Sea: one character after another finds themselves on their knees, waiting. For the dawn, for mercy, for love. 

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