Editor’s Choice
The life of mutant-pop songwriter Peter Ivers was really something.
“I can take any empty space and call it a bare stage. A man walks across this empty space whilst someone else is watching him, and this is all that is needed for an act of theatre to be engaged.”
Portraits and hauntings are inseparable bedfellows in film history.
On the 1973 feminist publication that gathered collective and self-help resources into one big, beautiful book.
All loves—and all selves—are fictions. Though that doesn’t mean they aren’t true.
An interrogation of the ways in which the system of representation surrounding breast cancer can isolate, infantilize, and even erase the women it professes to help.
A variety of texts by a writer who fancied himself a power broker.
A film about departures, the kind without return.
This fall, Concentric Circles will press to vinyl Heterophonious Fool—composer Jack Briece’s sole commercially-released recording…
Stagg’s essays, stories, and profiles on art and fashion speak to the new spaces and meanings created by the Internet.
Reconciling a futurist aesthetic with a story of the past.
A perfect hybrid of minimalism and spiritual jazz.
A gritty portrait of city life in the Wild East.
The artist’s first monograph makes a case for Jang’s place in twentieth-century photography nearly fifty years after he began making pictures…
The first time I heard something on Nyege Nyege Tapes was on computer speakers. For once, the promotional blurb wasn’t hyperbolic …
Chavisa Woods tells a linear but fragmented personal story of growing up and coming of age in a misogynist culture
Long neglected poet Stephen Jonas created a complex web of self-mythologized identities to escape any form of categorization …
Much silence fills the exquisite visual tableaus in German filmmaker Angela Schanelec’s I Was at Home, But…
In a leafy courtyard at Cairo University, the philosopher Graham Harman explains that politics is just another object among a level field of objects …
The Bauhaus tends to be presented through the lens of its creative and intellectual diaspora.
