Editor’s Choice
A film about departures, the kind without return.
This fall, Concentric Circles will press to vinyl Heterophonious Fool—composer Jack Briece’s sole commercially-released recording…
A gritty portrait of city life in the Wild East.
The artist’s first monograph makes a case for Jang’s place in twentieth-century photography nearly fifty years after he began making pictures…
Stagg’s essays, stories, and profiles on art and fashion speak to the new spaces and meanings created by the Internet.
Reconciling a futurist aesthetic with a story of the past.
A perfect hybrid of minimalism and spiritual jazz.
The first time I heard something on Nyege Nyege Tapes was on computer speakers. For once, the promotional blurb wasn’t hyperbolic …
Much silence fills the exquisite visual tableaus in German filmmaker Angela Schanelec’s I Was at Home, But…
Chavisa Woods tells a linear but fragmented personal story of growing up and coming of age in a misogynist culture
Long neglected poet Stephen Jonas created a complex web of self-mythologized identities to escape any form of categorization …
In a leafy courtyard at Cairo University, the philosopher Graham Harman explains that politics is just another object among a level field of objects …
The Bauhaus tends to be presented through the lens of its creative and intellectual diaspora.
In a 1988 interview for the LA Times, self-taught artist Reverend Howard Finster explained his creative predicament …
My Young Life is a memoir of becoming…
In New York, everything sounds back to Vietnam…
The story is contagious and the imaging tells it…
The insurgent Argentine documentarian’s retrospective screens at Anthology Film Archives from February 22 through 28.
A pose recurs in Christos Ikonomou’s Good Will Come From the Sea: one character after another finds themselves on their knees, waiting. For the dawn, for mercy, for love.
